A Japanese demon known as a yokai, who started off as a human but whose emotions ran so deep, she ended up transforming into something much more monstrous…
Casey the Puppet. This painting captures the essence of a puppet lots of older Canadians will remember. A strange genderless creature with a dog puppet companion. A puppet with an outspoken personality that I remember as a kid wondering how it got away with saying what it did. The painting has a Canadian stamp to commemorate the puppet's roots.
On September 1, 2015, the NHAI and AETPL (AE Tollway Private Limited) (a Concessionaire), a SPV of IRB Infrastructure Developers Ltd., went into a Concession Agreement to make, work and keep up the Agra Etawah Bypass NH 2 Project. The franchise season of the Project is quite a while from the Appointed Date. The Concessionaire is allowed to accrue the exhorted customer cost from the road customers during this period.
https://www.youtube.com/watch?v=DucTK7ejEg0
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
Mantid on a rose bud was done on Strathmore Bristol with Derwent Graphitint (tinted graphite) pencils. I love these insects and they are all over the rose bushes this time of year. I tried to capture her natural grace and beauty as she stepped down from her rose bud perch while eyeing her prey.
