"He was thinking what a long and wide thing time is, to have so many happenings in it.”
― Russell Hoban, Soonchild
Playing with leftovers of a recent project.
A.Taffelers is one of the most influential yet richest drug lords (richer than ruthleen and parslip) and also one of the youngest at 27 years old.Taffelers is highly temperamental yet cunning,he often has mood swings which leads to him having emotional outbursts (most of the time pulling his face or his "hair")he was homeless at a young age,went through foster care many times and never went to high school.His ex Darcel Cerise,who's the daughter of a deceased drug lord,met him and fell in love with him.years after he replaced her father and forgot about Taffelers and joined Madames Morada's mob.He,Ruthleen and parsnip are not enemies but simple rivals.all of his underlings are candy people
Hello everyone! My new OC is finally finished! Her name is Lunaria and she is a forest guardian. I also got hugely inspired by Yasuo art from League of Legends. Timelapse process https://www.youtube.com/watch?v=7tdbkctDr7M
This is a simple watercolor and pen drawing of a witch hazel tree in winter bloom with an owl perched on top. I love the witch hazel shrub and am thinking of creating a picture book showcasing the plant throughout the seasons.
I had something bum me out a little bit today. Nobody’s fault but it is what it is. So I decided to draw this up. I’m ready for fall and fall beers! I love to sit out under the moon once the temperature drops a bit and have some marzen lagers and other fall drinks. I felt like this captured the moment perfectly. I am excited for music fest in @havertownlife havertown tomorrow. I heard @levantebrewing will be pouring at brick and brew so I’ll be there sucking back some suds. I’m glad I forced myself to learn #adobeillustrator I’ve come a long way. Since then I have been able to help other artists that don’t use Illustrator or vectors and I am pretty proud of that, because when I was in their place it always felt like a huge struggle.
