ears

It's been a weird couple of years where social media became so toxic I'm just not online much. This place isn't like that so I have no excuse! So here's the CD cover for my new album "Junkyard Sam - OUTCAST", now available on Soundcloud & Spotify.

In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine. Reference for this work is my old drawing of karhunkallopetäjä/bearskullpine in the Riisitunturi. Also practice sketch of bear skull and at last photo i took of pine.

Outside my drawing table window are straight and weeping birches. We lost one of the birch trucks and, tragically, a beautiful OLD Japanese maple during an ice storm a few years ago. The third trunk is still in my mind's eye.

Gouache on Arches watercolor paper. I have been living overseas for 6 years now with my wife. (Originally from the states) We have lived in Seoul, South Korea, Ho Chi Minh City, Vietnam, Tel Aviv, Israel, and in the Summer we will move once again to Kuala Lumpur, Malaysia. So this is a painting is a sort of self-portrait.

It's 2019 and I am thankful for family, turkey dinner, and Rebelle 3! This Thanksgiving holiday I'm teaching my boys how to draw in Rebelle. They've watched me for years but they're finally old enough to draw on the Cintiq. They're going to love it. Artist friends, check out the Rebelle 3 demo if you haven't already! Happy Holidays!

Maia, one of two current German Shepherds was born here at our house ten years ago. She is a grand old lady with a big ears, a big ruff and a sweet personality. This drawing was done from a photo reference AND her sleeping at my feet. I used Pigma Micron Pens in black and brown with a little graphite smudging to add a bit of shadow.

I have dragged this typewriter around for more than 50 years. I found it in an antique store when I was in college. It's still fully useable, except that it's REALLY hard to find ribbons. Basically, it's just another object to dust. But it is a beautifully made object. The basic shapes and perspective were blocked in with a 2H pencil, then I used a Sakura 005 micron pen to do the contour drawing.

Pandemic caricature self portrait no3.... Waiting for the Muse, or maybe Tears of the Clown?

Bearskullpine A new bigger version of my earlier drawing In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine.

Our rooster was killed by a weasel while defending his hens a few years ago, so this fellow was referenced from various on-line photos. He's drawn with colored pencils on Strathmore 400 Smooth Bristol board paper.

Jellyfish in Acrylic, made this years ago after an art lesson.

old one from a few years ago.

Latest work of my animals in hide serie

This is eleven years old and I did it with pitt pens.

Had to find a title somewhere…

“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”

Airbags deployed...RIP CRV 2003-2019. Drove this guy just short of 17 years. First new car I owned. Goodbye old friend.

It has been a delight to share with my students the incredible resource of people. Over the years, I’ve had the great privilege of connecting them with inspiring individuals such as Lois Ehlert, Dave Nice, Gregory Martens, Colette Odya Smith, and—as seen in this “Behind the Professor” sketch—Dr. Gaylund Stone. There’s something powerful about the presence of someone who lives their craft with humility and depth. In moments like these, my students are reminded that more is often caught than taught.

Ms. Nathan was a play production teacher with flair and a big personality. She wore colorful clothing and loud socks that never matched. Her joyful, chortling laugh filled the room—or the hallway—wherever she happened to be. Staff meetings and PD days have always been strong invitations for observational drawings. Over the years, I’ve found that there are many boxes to check in a wide variety of systems. I often created my own boxes—and checked them with sketches of my colleagues. This one goes out to the colorful Ms. Nathan.

A 1000 piece jigsaw puzzle I recently painted as as gift for my grandma on her 85th birthday, using objects and photos of significance from her life. :)

Loose copy of "Proton Man" from a boxed toy I've had for years. Colored pencil. What he does...lurch around if you wind him up.

Cosmic Elephant sits and ponders for 1,000 years.

A redone vector version of my Blood Money design I did for Conshohocken Brewing Company a couple years back.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

Last drawing of the year.

Part of my challenge to myself to sketch directly in ink this month, and to play around with using alcohol markers for value (a new tool in my arsenal).

Inspired by the Fremen from Dune. Blizzard white and blue eyes on a face thats been in the grinding desert many years. Painted with Rebelle and Flame Painter

Being autistic and neurodivergent means I’m liable to mishear things quite a bit, especially when watching films where the sound mixing is utter shite (thanks sensory differences!). On that note, there’s a bit towards the end of Alien where Parker shouts “get out of the room” which I always interpreted as “get ready to roll” for years on end. Only recently did I realise how wrong I was! Considering it was the final act of the film, I guess I can’t be blamed for assuming as such, right? If you know, you know as they say...

Clio is a limited production, quite difficult to obtain, premium Spanish Red. I had the pleasure of visiting the vineyard many years ago and, while there, managed to take one photo of a particularly gnarly vine. This is at best only a very unreasonable facsimile.