Older picture I've done. At that time I wasn't used to using references, but instead I did everything from my head, as I imagined them. And this time I wanted to create a lonely arctic fox with a warmer atmosphere surrounding the animal.
My vision of the character ‘Smaug’ from J.R.R. Tolkien’s ‘The Hobbit’.
Pencil sketch, coloured digitally on IbisPaint X.
Here is a passage from The Hobbit describing Smaug’s appearance: “There he lay, a vast red-golden dragon, fast asleep; thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and unwrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”
For Inktober this year, I am following along with Lisa Congdon’s CreativeBug course. I’ve made a few extra rules for myself for an extra challenge which includes trying to maintain a mostly black and white theme. Excited to see where it takes me.
Kingfisher is a digital drawing completed on the iPhone 7+ (im looking at getting the ipad pro next month!) This is 1 of a current 6 pieces with the collective title 'Birds Of A Feather' leave any suggestions for birds
Don’t get caught here unawares… I don’t suggest you take the stairs. The treasure that this castle keeps, deep beneath the water sleeps. But if you’re patient with the tides, there’s another path it hides. Quickly now! Find the door! and hurry back onto the shore. For the moon, she will not wait to turn the tide and flood the gate. Don’t get caught here unawares… I don’t suggest you take the stairs.
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
christmas ‘24 destination spent with my people - thankful for the few days of quality family time, endless memories made, the many many laughs, and the beautiful view we were blessed with from our airbnb! enjoy a little watercolor I did while there, a breathtaking view from the Ozarks!
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
They say Prometheus brought fire from the sun concealed in a hollow fennel stalk. They say tarragon came to be when a flax seed was pushed into the pierced root of a sea onion and planted after dark. The Minotaur simply likes the smell of chopped herbs.”
- Steven Sherrill
For some reason out of all of my drawings, this one went viral on Tumblr. So when I got to the Minotaur on the list of hybrid creatures, I had to (re)make this one.
The sentence is from “Minotaur takes a cigarette break” by Steven Sherrill. It’s wonderful.
I tried getting some ideas on duckduckgo images for a theme on magma.com that was titled Mythological Creatures. Drawn online/live at magma.com using an iPad Pro (no pressure sensitivity and no Ai).
This is my project for the Mooncolony's Lunar Academy Online Art School https://mooncolony.co/lunar-academy It was such a great experience! Huge thanks to my mentor Ekaterina "Rin" Shapovalova. It was a pleasure to learn from you! https://www.youtube.com/watch?v=PZfIZx4aRQ4
Kat is one of my favourite models. She has the most beautiful faces, full of character. Even when sitting between poses, as featured here, she has the most commanding look.
This sketchbook spread features a stylized pattern of colorful poppy flowers. The garden of flowers includes leaves of green, yellow and peach. The flowers are yellow with blue stems. The drawing as a whole has a whimsical and playful feel with a bright color scheme, polka dots and organic squiggle shapes, and blobs of seemingly random colors. Please check out my website ArtsyDrawings.com for more by me, Brianna Eisman. Thank you!
It was a great collaboration with an amazing artist Stumpyfongo back when we were in the Deviantart Collective. The character is Fella, a mascot.
Check out Stumpyfongo's art!!! https://www.artstation.com/stumpyfongo
