Pop art ink drawing in red, pink, and violet hues. The subject is the palm of a hand and curled fingers. The background has blue, green, and turquoise stripes contrasting the colors of the hand. This artistic drawing style uses non local color to create form in the palm hand drawing.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
Having younger siblings is 50% about having spoiled rotten playmates and 50% about making sure those little morons dont accidentaly kill themselves. Border collies are so hard to draw antropomorph! Ever noticed how they most of the time keep their head lover than the bum?
Here's Kermit and Gonzo out for a ride. And if you can read sheet music then you will see this is the start of the Muppet Show theme tune Gonzo is playing.
It's stormy and super windy here in Amsterdam today. Wind so strong it's knocked down trees and can make you ride backwards or lift you right off your bike.
Since the dawn of l’automatisme, the floating shapes of Miro and Klee were praised as musical suggestions. Unlike the Masters, my groundwork of flowing lines speaks melody and rhythm from a musical score perspective. The flow of lines ties the art elements into a composition. It also reflects a concept from Chinese paintings, which says, ` as a line moves into the invisible, the idea continues.’
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
On the airplane, on my way home, I lifted up my head and there was a Tom Cruise on all the screens. Different movies, or the same movie, but different scenes. Absolutely unreal.
