This is my first post, so I'll keep things pretty basic. "Jester" is his name, but I like to refer to him as "The Ringmaster". He's my own creation, but he's inspired by the funtime animatronics from FNaF. This is also a stylized take on him. I'll post what he really looks like soon. He's comepletely sentient, and runs a pizzaria. There are shorter animatronics in the pizzaria, which he created, with the purpose to perform and entertain the people who come there. The shorter animatronics are not sentient, or possesed. At least, not yet. I'll also post pictures of these animatronics one day, hopefully in the next two days. I haven't really fleshed out what kind of story I'll make for him, but I'll use him eventually. Drawn with FireAlpaca.
Edit: That's supposed to be a lollipop for his (your left) hand.
Friday night I sit at a lantern near the exit of the subway Wilmersdorferstraße. Next to me a pile of electric scooters, their taillights shining red, ready for rent. To the left, people go to the subway or come out, then the escalator starts, screeching
Omens : Caterpillar.
A favourite separation of Yorkshire people to bring good luck on themselves is to throw a hairy caterpillar over their left shoulder whenever they find one!
From "A DICTIONARY OF OMENS AND SUPERSTITIONS" by Philippa Waring . https://www.instagram.com/p/CBS_4JJhd-s/?utm_source=ig_web_copy_link
Very sad pencil drawing of a young friend who lost her life aged 37, in a freak car accident in 2017.She left 2 young sons and a husband to raise them alone. I gave him this picture as a gift, a tribute to a lovely lady who is no more....
Watercolour crayon, crayon, fineliner and acrylic paint.. . . . . ... . .... . ... . . . ... . . .. . . . . . . Just your run of the mill tree bearing owl with a pipe in hand and a story to tell. .... . . .. . . . . .. . . . . .. ... ... ......... ... .. A3 prints for sale ( 12 left out of 20 at the time of going to press )
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
Up on a hill, deep in Deadwood
Lies an old shack, that fosters no good
Inside this shack floats a very old being
To seek it out, is to regret such a meeting
A blue floating skull, who brings sweet promises of doom
Sits all alone in a dark four corner room
Why is the reason, this being is there
Why does it beckon one to come near
Its lonely and bored
So it calls out to you
The skull was once mighty and powerful too
Causing great pain on subjects like you
The beast of an age
Caught by a mage
imprisoned in here
no longer to torment the world and spread fear
But just being caught wasn’t enough
It stifled its power but its will, was left uncorrupt
The skull, now a seeker of dreams
Destroyer of love, life, and of schemes #embracingnightmares
At seventy-five years old I strive to remain engaged with modern technology though I admit it can be overwhelming at times. The internet evolves rapidly and cryptocurrency in particular often feels like an entirely foreign language. Sadly I discovered just how confusing it can be when I became the victim of a sophisticated scam. I received an email claiming I had inherited Bitcoin from a distant relative. The correspondence appeared legitimate complete with legal jargon, official seals and documents that looked authentic. All I was required to do they said was pay certain processing and legal fees in cryptocurrency to release the funds. It seemed credible and not wanting to lose the opportunity I complied. By the time I recognized the deception I had lost nearly $40,000.The experience left me devastated. Beyond the financial damage I felt humiliated, ashamed and unsure where to turn. Thankfully my grandson intervened and introduced me to Salvage Asset Recovery. From my very first conversation with them I sensed a genuine difference. Rather than treating me with condescension they approached me with patience, empathy and respect. They assured me that countless people of all ages fall prey to such schemes. That compassion was the first sign I had finally found trustworthy allies.The team at Salvage Asset Recovery carefully outlined the recovery process in language that was clear, concise and easy for me to follow. They set realistic expectations, explained each step in detail and promised to provide consistent updates. True to their word I received daily progress reports and thoughtful explanations. That steady communication restored a measure of calm and gave me confidence that I was not alone.What impressed me most was their relentless professionalism and persistence. The investigators at Salvage Asset Recovery pursued my case with remarkable diligence skillfully tracing the stolen funds. Their determination never wavered and it was obvious they genuinely cared about restoring what I had lost. Their unwavering focus reignited hope at a time when I felt utterly defeated.After weeks of effort they achieved what I had considered impossible. Salvage Asset Recovery successfully recovered $35,000 of the $40,000 I had lost. The relief and gratitude I felt cannot be overstated. Thanks to their expertise I regained not only a substantial portion of my savings but also my faith in honest principled people.If you have ever been defrauded I wholeheartedly recommend Salvage Asset Recovery. They are compassionate, dependable and unyielding in their commitment to justice.
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Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
I dedicate this work to my beloved pet, Cenna. Although she left me a few months ago, my memories of our time together will never fade.
Thank you for everything you gave me, Cenna. For being there every time I started to cry, for watching over me while I slept, and for always being by my side when I needed someone to listen.
I miss it all, Cenna.
I rarely add colors to my drawings but am dabbling in unfamiliar territory with the Krita app. I am enjoying the ability to add textures as well. For me, it is similar to drawing left handed. This is the same drawing with a different technique.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
I know this isn't an elaborate piece and I know I've posted different cards before, but I just wanted to wish everyone a merry Christmas and happy holidays! I hope everyone is doing well and can enjoy the time left in 2020. Thank you for being so supportive of my art, and for sharing some of the most incredible art I've ever seen!
