Shadows follow but I will move on! I have PTSD, so I am tormented by my past. Anxious for what's behind me. But I won't let that stop me! I may have "Lead in my shoes" (Dutch "Lood in mijn schoenen"), sometimes feel empty while on other times I am red from anger, nothing will stop me moving on. There will be temporary throwbacks, progress is not linear, but I will get there. I won't drown in self-pity this time.
Sketchbook page from a few days ago. One of my rules for this sketchbook is that all entries have to be full page spreads of intricate drawing studies. All drawn freehand! Drawin’ err day over here!
One of many exercises in asymmetrical symmetry over here. "Sunny's Waves" doodle drawing. 6" x 6" / Micron Pens on 100lb Acid Free Archival Bristol 2 Ply Paper.
Mixed media: markers, watercolour pencils, acrylic. This is an old doodle from ca. 2003, which I came across while moving houses. I added a bit of colour today and few lines...
After the success of last year's birth month flower drawings and the products I made with them, I decided to continue drawing flowers - this time it's all the state flowers and state insects. I'm a little behind on the insects.
Observations from an expedition to the Houston Museum of Natural Science, which features an incredible paleontology hall. I brought with me a pad of sticky notes, a couple Micron plastic nib pens, a set of Copic Markers, my fanny pack, and some headphones. Prehistoric life has been an infatuation of mine since childhood, and there is something very humbling about drawing in the shadows of these fallen giants.
New sketchbook time again? That it is. Credit to one of my workmates for inspiring the title here, hehehehe. It's been a busy few days here at Bleu HQ... '^^ :-)
Kierkegaard said we undersand life by looking back, but we must live life forward. On a trip to the Chicago Art Institute with a group of students, I penned the students behind me and then I penned the rapidly moving images I saw through the front window of the bus . I still do not understand life except that perhaps it is full of energy and art and love.
Drawn with Clip Studio Paint and XP-Pen Artist 15.6 Pro pen display tablet.
Critically Endangered The White-headed Vulture has undergone catastrophic declines in population number, with an estimate median decline in 96% over three generations (45 years)
This decline has been seen in its very large range from West Africa, across to southern Africa also. Reductions in populations of medium-sized mammals and wild ungulates, as well as habitat conversion throughout its range best explain the current decline. Additional threats include indirect poisoning at baits set to kill jackals in small-stock farming areas. This species is also recorded in trade in West and Central Africa as this species is used for both traditional medicines and also they are intentionally killed for use in witchcraft. This species is part of the Accipitridae bird family, which diverged from all other species of bird 49.6 million years ago during the Paleogene period. Vultures split from the other genera in this family 12.7 million years ago. This species is highly sensitive to land-use and is concentrated to protected areas. Individuals were marked with patagial (wing) tags in Fouta Djallon vulture sanctuary to monitor movements and for a toxicological assessment of the vulture population of the park. Additional studies to monitor the movements of individuals within and between protected areas in underway is South Africa. Info: Edgeofexistence . org #birdlife #birds #birddrawing #birdsketch #whiteheadedvulture #vultures #bampidraws
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.
