i feel to much focus is put on faces being to aesthetically perfect, or perfection in the media approach to what thats perceived to be. i enjoyed drawing a more imperfect edge to it and the use of the light beams was a cool thing to draw. the meaning was a look at self -adulation and the clamour for attention through various social platforms, being valentines day as well i feel to many people fall into that trap what promotes nothing more than a money making event. this helped form the title of "seduce her" using a medusa as a subject matter.
While Venice has surrendered itself to unadulterated tourism, Lido remains a tiny bastion of slow life. Lounging on the piers, biking on empty roads, sitting for hours in cafes...
I always admired those hand-painted signs outside the barbershops, so I made my own. Actually, you look like you need a fresh new hairstyle yourself. I can hook you up
For an Instagram art challenge, we had to draw a beat ‘em up character in the style of a robot. Here’s my contribution! I could’ve gone with some fairly obvious choices, but to challenge myself and try something new, I opted for Gon from Tekken 3. Turning this dino into a robot, now that’s where it got interesting!
Imagine trading your soft bed for a deflating mattress.
Imagine food cooked under ash, a fire that smokes more than it warms.
Imagine waking at dawn with stiff muscles, yet finding yourself strangely alive.
This sketch is not just about tents, cars, and campfires.
It is about the in-between—where inconvenience and beauty wrestle, and something deeper sneaks in.
Camping reminds me: comfort is overrated, but presence is priceless.
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
Part of my challenge to myself to sketch directly in ink this month, and to play around with using alcohol markers for value (a new tool in my arsenal).
I don't know why, but I had to make yellow buildings. I wish I had more time on this, but I took it as far as I could and hit submit with 1 to 2 minutes to spare. Why do I do that to myself? Anyway, I hope you enjoy.
The kids jump, and call, and send koo wees up to the koo wee sky! When I draw happy characters like this I find myself smiling and I don't even realize it. I hope that happiness comes through in the art. - From "Graham's Up the Tree"
I am illustrating a children's book for an author who is self-publishing. The story is about her granddaughter who wants a guinea pig and has to learn how to care for it.
I crawled right up to Daddy's modelling mirror which stands on the floor by the box of plaster. A great big black creature was creeping towards me.
I got cautious and stood still. The creature was shapeless. It was one of those creatures that can spread itself out and creep under the furniture or turn into a black fog that gets thicker and thicker until it is quite sticky and gets all around you and fastens itself to you.
I let the creature get a little closer and put its hand out.
The hand crept along the floor and then was pulled back suddenly. The creature came even closer. Suddenly it got scared and ran quickly in an oblique direction and stopped still. Now I was scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
I stared and stared at her until I had stared her into little pieces and I thought, you're big and scraggy like a carthorse and nobody can hunt for you in the grass and you couldn't hide anywhere because you can be seen the whole time and you can't surprise anybody and make them feel good! You have completely spoilt our games for no reason because you can't play games yourself! O alas and alack! No one wants your presents. He doesn't want them! You're nobody's surprise, and you can't understand because you're not an artist! And so I went a little closer and humiliated her by saying the most terrible thing of all : amateur! You're an amateur! You're not a real artist!
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
