I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
"Whirlwind 20”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 20th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 20, 2020.
Yes, indeed, this is a foot. A foot that has taken up 5 months of my life but here we are. For some context, I'm lucky to be able to take 2 art classes this year (senior year perks, I suppose) especially given the strict scheduling connected to the STEM program I'm in. I'm taking Studio Drawing, and this is my first Bargue drawing. Definitely different than what I'm used to doing (and not the most interesting to look at), definitely mildly infuriating at times, but it's done.
I drew these 3 demons in early 2018. They are my favorites, so I put them together into one picture. Stay healthy and know your demons ^^ --- Ink Pen and Copics
"Whirlwind 17”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 17th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 17, 2020.
"Whirlwind 15”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 15th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 15, 2020.
Peter and his friends stopped on their road trip to grab pizza for lunch. VW, the rabbit, was the first to notice a faint chanting in the background: “The Claw! The Claw!”
Petite ink doodle of a bunny I saw on my walk this evening. He was peeking over a street curb and I thought he’d be awfully cute taking a peek over a stone wall.
“Whirlwind 8”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature and date in the back of the drawing. This drawing is the 8th in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 8, 2020.
After a year of really focusing on the fundamentals I decided to try my hand at some simple studies regarding facial features and attempted hair. Any thoughts or suggestions would be appreciated, as I’m wanting to continue to learn and improve!
Marker, and colored pencil on paper. My partner bought me some fancy markers that have been really fun to play with. I'm thinking about making this image into a greeting card.
She have always anything which is it bad.
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this book. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure." https://www.instagram.com/p/CJBWDgHhGSY/?utm_source=ig_web_copy_link
