My painted interpretation of a large quilt my grandma made and stitched by hand decades ago using upcycled shirts. It’s gotten a lot of use and is showing the wear and tear that a well loved quilt will show on a long enough timeline. Still, I can’t bring myself to put it away for long. While a piece of me thinks I should keep it safe and preserved, my grandma is a practical woman that likes knowing something she made is getting good use. A sentiment I can appreciate. And so, maybe I can extend it’s life through watercolor.
Pictured is Lilac, a female original character I created in spring. Her design is inspired by traditional japanese fashion and attire, but I gave it a modern twist to fit into a more futuristic setting.
This was a commission for a Magic The Gathering Goblin token. A goblin riding a squirrel, wielding a spoon and wearing a bucket for a helmet. He may or may not actually be dunk in a tavern getting a bit too into a story he is telling.
A more recent work of mine from a series of pieces I made revolving around an original character who was a political prisoner of a dystopian space-faring setting.
Original characters for a story which might never see the day of light. Amar and Aska belongs to me, Augustine and Sayeed belongs to my Hubby. We call them the Ass quartet or The triple As A-S. Augustine would be the main character, Amar her foil/lancer, and Aska and Sayeed would be supporting characters. I'm still practising communicating though character and setting design, so I will probably re-design them about 100 times more before they will ever be done.
Unfinished value study for a painting, worked in graphite on hot pressed watercolor paper. Drafted and rendered using the Bargue method. Hopefully, I got the photo oriented correctly so that the drawing will be right side up, once I upload it! If anyone has advice for photographing a heavy application of graphite, without getting weird reflectiveness, or speckled effects, I’m very interested!
A quick sketch of the flannel bush in my garden as the sun was setting. I was going to replace it with a salvia munzii, but then the flannel bush bloomed.
A concept for a 19th-century survey vessel that will be the setting for a comic. Has both steam power and auxiliary sails, of course! The bubble in the middle is a weather balloon that can be deployed from midships.
3/17/2020 San Francisco. The art studio is closed because of social distancing for the Coronavirus. My teacher sent out a note with a sketch she did and suggested we do a drawing a day during this isolation, to stay calm and creative and maintain our community. A neighbor put out a bucket with free bouquets, and it inspired me to pause while I was getting dinner started and do this instead. Definitely rusty after not being in the studio for two weeks!
Pen and ink colored in Photoshop. It just felt to me that she was getting the morning news from the dragonfly. This image is used in my card game, "Wards of Meadowshire".
This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
Millegrain decoration is when metal is used to create a 'beading' effect, usually around the setting of a ring. The small feature can make a ring appear much more ornate than most, at very little extra cost!
