This new Bikes of Amsterdam painting is of this wooden bike I saw (no pun intended) a while back. I thought it was probably owned by a lumberjack although it’s more likely some city hipster type. Either way cool bike. Guess you would need to varnish it every year.
During last summer I spotted this dude riding round and round Vondelpark towing his big ass speaker so everyone can hear his selected music choices. funny but also a little annoying.
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
made with gel ink pen for a future art book about mediterranean way of life. In the streets of Napoli we can find these little virgo statues in every corners and big men shirtless
What happens to the animal kingdom once used and abused for human entertainment? This drawing represents the spirit of those creatures, once killed for sport, taking their rightful revenge on mankind. There's no room for bullfighting in modern society.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Another flower demon heavily inspired by Slenderman.they are mute and faceless.they aren't that dangerous, they are actually known to be a gentle giant.they have an affinity for everything nature.they are also a dimension traveler.height is 7.0
His name in German literally means the ice cream man.he is a giant snow clown who lives in the icy mountains of Dulcelandia.he is one of the first enemies Sweetnette and Cotton Fluffe encounter.he grabs them with his hands.he has stretchy powers.he can also summon snow monsters as he pleases.they defeat him by fireballs via their wands he and his monsters melt away.quickly the princess and the prince escape.he is able to regenerate since he is immortal.he is a 60 foot snow giant and he is maniacal yet clever at the same time.
This year I'm discovering a new art medium - gouache. I'm going to paint more traditional art with gouache and watercolor.
Recently I purchased a great Domestika Course by Ruth Wilshaw: "Painting Atmospheric Landscapes with Gouache." to learn and develop my painting skills.
And here it's - the result of silhouettes practice. I'm so glad because it's a second attempt at gouache painting. I fell in love with this art medium!
