Réalisation du portrait de @William Leymergie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @Nathanaël de Rincquesen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de Loïc Ballet dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
Ye know how it is, a brand new sketchbook and a blank white page, at first it's exciting "what am I going to put in here" but that pristine blank white page keeps staring up at you and you start to think "crap! what am I going to put in here?" So I just doodled and put some thoughts down and doodled around that until the whole page was filled with one big doodle... it broke the silence and started the magic...yeah I said it, super cheesy!
Lufgt Huron, also known as Huron Blackheart and the "Tyrant of Badab," was once the Chapter Master of the Astral Claws and self-claimed Imperial Governor of the world of Badab Primaris in the Maelstrom Zone of the Ultima Segmentum. But ultimately, Huron was corrupted in his ambitious pursuit of power and he tainted most of his Chapter as well, leading them into an open rebellion against the Imperium of Man, known as the Badab War, which lasted from 901-912.M41. Bound to machines which keep him alive and forever in pain, Huron is now a scarred creature of hate. His machine claw clicking, he has strode to battle time and again, followed by the daemonic Hamadrya, and each time the agony of his existence grows and the spite within him deepens.
Every person chooses his/her own path. Somepeople help others. Some people quit. Some people settle for less. That's the theme. I always loved the textures of insects so chose it as main thing to look at. And then trekking is easiest way of seeing struggle. That's about it.
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
While I was drawing this months ago, my tablet pen fell apart in my hand. It was bizarre and shocking, and then I completely forgot about this piece even existed. The print that almost never was.
Observations from an expedition to the Houston Museum of Natural Science, which features an incredible paleontology hall. I brought with me a pad of sticky notes, a couple Micron plastic nib pens, a set of Copic Markers, my fanny pack, and some headphones. Prehistoric life has been an infatuation of mine since childhood, and there is something very humbling about drawing in the shadows of these fallen giants.
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in low key lighting. :) Time: 30 mins Medium: Charcoal on Paper
PSA to not be a dick to retail workers this holiday season (and all seasons!). Working retail during the holidays was some of my shittiest experiences. People become coupon-waving, red-faced monsters that deserve nothing but a trip into Krampus’ sack.
Here are a few things to remember:
1: They have literally no authority. Honestly, the cashier would love nothing more than to accept a stack of expired coupons to get some cranky-ass customer indignantly insisting that “at this point YOU owe ME money!” through the line. But they can’t. And no amount of screaming will change that. Oh, and the manager is bunkered safely in the back refusing to come out and will only troubleshoot through walkie.
2: If you’re nice (like basic human decency) they are more inclined to help you as much as they are able. Being kind and patient costs nothing and might actually pay off. You might even be able to coax out a skiddish manager that *sometimes* has the magic touch to get things accomplished.
3: Corporate overlords. Managers can do a lot but in the end, the retail world is run from corporate overlords through the machine sentries AKA registers. Welcome to Black Mirror, people. If the machine rejects your request then back to the matrix with you.
Since Killer whales is about to be exterminated, I gave a whale some wings. Now he can fly away to a better place without pollution and plastic from human beings. Well, sad but true. Its on us. At least I can give it some attention here. The whale is now on my Society6 page.
Done with dip pen and black Talens Indian ink. The dip pen is very old, 1967, I used it at school when I was 10. The next year we started to use fountain pens. Only the nib I used was ofcourse new.
An old-style doodle, with many parts to look at! This took a few days, from the initial drawing, to inking, to uploading to my computer and digitally coloring and adding textures and detail! Lots of fun, and definitely different from my normal doodle-style. Thanks for viewing!
Colorful Goldfish - Another watercolor sketch from my newest sketchbook. I'm using Strathmore Mixed Media 300 Series (5.5 in x 8.5 in). It has 40 sheets of 90 lb. vellum surface paper. They cost under $10 and can be used for most anything including wet media (light washes) without the paper falling apart or warping badly. One of the best all purpose sketchbooks I've found and the size makes it easy to toss in a backpack and carry daily. Anyway, just wanted to share my good experience with the group. What's your favorite sketchbook brand/format?
My sketchbook spread. This is actually a moleskin watercolor album which I'm mostly using to draw from life. This is sharp and spiky versus soft and fluffy. The models were the two of my house plants, and aim was a texture and light study.
INEXPLORE - collaborative work with my friend Guillaume (MUTT) Original drawing mixed & paste on this huge wall for an exhibition that was held in Paris. More pictures on my website (nicolasfarade.com)
