This is the sexiest page in an upcoming book I'm printing for Rogue Planet Books. It's a book of comics I did many years ago. I'm a bit embarrassed by some of it, but the drawings were great.
Leo..wasnt the best at taking pictures for his school page. But at least the cat ones look good, right? No he just stole them from one of his favorite games. Dammit Leo! (still tired and sleepy..honk mimimimimimi but i have no clue what to draw next honsetly. IM THINKING OF STUFF I THINK, THE SIDE PHOTOS ARE CATTAIL FROM PLANTS VZ ZOMBIES. I LIKE CATTAIL!!!!) (just kill me already...............(again))
This a good brain drawing exercise and it helped me to practice something different aside from actual objects. I recommend giving Miss Betsi a view on Youtube if you want to learn how to do these designs yourself.
After a year of drawing pretty much nothing due to artblock/burnout that came after a few years of battling my mind to be able to draw, this drawing marked me finally being able to return to art this November 2023 with a fresh mindset of less perfectionisim and more focus on my own enjoyment of the process. I had a limited timespan to work on this, a gift for my grandmother's 80th birthday, as I only began the process the day before I needed to email it across. Compared to the months it has typically taken me to finish anything in more recent years, this presented an extra motivation to abandon "perfect" in favour of "good enough". It's not as detailed as some of my prior works, but given the limited timespan and that I'm out of practice I am nonetheless happy with the result. As usual, I combined a graphite and ink drawing with digital colour+shading.
Elias Rosenshaw 11/16/2023
Filtered digital collage of photography, digital patterns, pixel art, and pen & pencil on paper.
Text paraphrased from my friend Lydia.
Drawings are studies of statues I photographed:
Horse's Head, The Parthenon Sculptures, The British Museum, London, UK
The Bassai Sculptures, The British Museum, London, UK
It's a watercolor painting, the size is A4. I wanted to express some kind of serenity. Send me a message for any questions or more.
Follow me on my instagram page to be awared of the last productions :
https://www.instagram.com/loislow_art/
Because of the texture the sketchbook's paper, I couldn't use my regular mediums of choice. I decided to give crayons another go. It's a rather old piece (older than the other ones I've posted here) so not giving this a watermark.
Hi, completed in pencil. Softest 4B. Layered technique. Without any use of blending tools. Just the silky smooth pencil in hand bringing out the texture of the 300lb Bristol Vellum.
One of the other bits of art I'll sometimes do is collage building. I admit to recycling bits of everyday things from candy wrappers and ramen noodles lids to packaging information for later use. I do use a bit of my own artwork but that's not really the focal point and therefore, it's being excluded from tags.
sometimes my head doesn't work right and art doesn't look like art. sometimes i like to simply draw and doodle and not have a plan nor a color scheme. this is an example of that type of in-the-moment artwork sketch in my sketchbook. it includes marker and ink drawings, stickers, and random pieces of scrapbooking materials
Inktober
Day 31
FIRE
I drew the sun
This Inktober was.. ok, it was FAR better than last year I made major improvements tht I'm proud of and hope to apply next year but now it's back to anatomy
This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh.
This the second pumpkin carving contest I have participated in in less then 5 day apart.
Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills.
Written by Stephen J. Vattimo
Oct 24,2015
I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer.
In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle.
Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy.
Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense.
I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective.
Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days.
Cheers, fam~
