This a figurative inspired abstract sketch using layers of pencil crayon. I wanted to express an individuality and togetherness at the same time. I also wanted to experiment with space, shape and depth.
Thinking of doing a series of drawing pop culture and gaming cherries in a "twist". That twist equating to exploring my different styles, since it's been awhile.
If you don't t know, this is a character rehashed from my imagination of what "toad" people would look like in a different Super Mario universe.
Yes, they wear no pants.
Which beloved character should I experiment with next?
I've been experimenting doodling on fabric with Sharpies an turning that fabric into pencil cases...I'm getting a good response from people so I think I'll get good quality fabric pens and create some unique items with doodles....
It’s my first digital portrait! I’m still figuring things out, so please, PLEASE send advice and criticism this way! I’ve always been fascinated with faces and portraits, and experimenting with colors and brushes have always been a blast! So please help!!!
Eve is a continuation on my series of portraits. This piece represents my maturing technique and style as I begin to experiment with creamy consistencies. The painting displayed my ability to capture facial expressions.
My trip to Paris, France influenced my painting style. I was struck by the realism and drama depicted in various compositions, but also the lack of diversity. This piece is named "Eve" questioning whether the holy subjects depicted in European art were, in fact, part of a different race altogether.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
