A doodle in the series "Spot the Tennis Ball Doodle" I did years ago. There are many story in this drawing. One thing makes me love doodling the best is you can put so many stories within a single canvas. I love stories, I love telling as much.
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The main story I want to tell here in this picture is the loving CARROT fox. He just desperately want to have carrot for meals but only the Hares, Rabbits grow them. And they doesn't like foxes. But lucky for him, somehow, he find a friend who can help him with that, a HARE friend. The friendship of two is beautiful. Hm, you know, just one of the normal days, the Fox wait for the Hare to carry for him a carrot. The waiting was long and Fox just couldn't stay still. But the Hare came finally, and the Fox was so happy, he JUMP!
This is old (2007). I used to work at the ad agency that had the Harley-Davidson account for a number of years. I always carry around a Moleskine sketchbook and take meeting notes on one side while doodling on the page next to it. This doodle ended up being used extensively in the Harley-Davidson "Dark Custom" campaign as well as on a line of Dark Custom Motorclothes.
It say's "FUCK YEAH" in it and they never noticed. :)
My notes and demos from yesterday's watercolor sketching workshop at #waltdisneyfeatureanimation. We were talking about quickly blocking in people from life in natural situations. #watercolor #watercolorpainting #pleinair #illustration #disney #disneystud
From my summer sketchbook 2016, during a long journey from Greece to Austria, when we stop for a night in Croatians mountains . When you dont take expensive highway you can end up in such a enigmatic and beautiful places like this one! :)
I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
I had this bizarre dream recently that I saw some
maniac driving in circles around my neighbourhood in what looked like a Reliant Robin, ready to crash into whatever they could at any given moment… yes, my mind (awake or asleep) works in weird ways but it gives me ideas so, hurray?
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
