Turkey Vulture (Cathartes aura) done for a local drawing contest. Graphite, colored pencils and clean up on Photoshop. More like this illustration on: https://www.instagram.com/camilojulianc/
Part of a personal project I'm working on right now, to experiment with unfamiliar art styles and practice lettering skills by drawing animals. This is my first foray into cubism-inspired artwork (definitely don't claim to be an expert on actual cubism)--it was way more fun than I expected! I think I'll be trying some more...
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
Fun fact:it's a little cartoon idea of mine,it's definitely not the first but it has a pretty simple plot I will share:it's Al Heyman, living as a parent and as a magician, juggling both with his children.he often gets in shenanigans especially with his friends!but the evil varzar wants his magic to take over the ghost world.his magician outfit is quite difficult to draw due to the rainbows especially the hat.another fun fact is that the ghosts in the ghost world have 80s and 90s technology.ill share more about this in my WordPress account
I printed my black and white zentangle drawing on marker paper and colored it with alcohol markers. At first it was a bit to garish with too much contrast, so I painted a warm grey over the whole piece. That gave me what I was looking for. Of course, THEN I completely undermined that with making a bunch of wild colored ones (two shown here) by playing with them in Photoshop. I shall be using this (along with my Zentangle koi posted la while back) for printing blank cards that we sell for charitable (mostly foodbanks) organizations.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
