I started this last night during my ArtShare on my Discord. At first, he looked like a generic wolf character, but then I got silly and decided to redraw him as a tiger, which added like 3 hours, since I'd never drawn a realistic tiger head. I also didn't use a reference for the snake, so I understand if it's not quite right. I will upload a version with dark shadows soon. I began drawing this in response to watching the title sequence to an 80's cartoon, "The Get Along Gang." Do with that information what you will :D.
Pentre Ifan is a megalithic dolmen located in Pembrokeshire. I sketched at a point when I hadn't sketched for some time and felt like I should. I didn't give it the time it deserved and didn't even erase the pencil marks. Definitely one I should re-sketch at some point.
I think I've finally come up with a design for the Altitone crew that is actually appealing to children. All the previous designs had always looked like nightmares: no eyes, sharp teeth, faceplates, and most of all; they were all white --- and not all cats, rabbits, and bears are white. So, I needed to make them resemble animals a little more. And I did! I'm certainly going to keep revising these designs, though. But for now, I introduce you to the V1 Liz Cat's band! This restaurant chain will probably be the one that I'd make a FNaF fangame out of. Drawn with FireAlpaca.
Life is like a long journey. You see the final scene at the end, which is death. I have often fancied that if I had experienced so much in my life, I would be happy even to go to death.
Sophie Knight Portrait drawing Oz Galeano
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based in the METABARON series by Moebius n J.Jimenes, A.Jororowsky script,,,,,i didnt copy i did my own caracter but the style its very similar to taht graphic nobel,,,,,,well Hope you like!!!!
This a self portrait drawing of myself as a younger man, with a lot of shadow play on the portrait itself and a stylized background of a sky, clouds and the sun, rendered in a kind of an imaginary dream-like almost surreal scenario. Many thanks for looking.
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
