An illustration of my Lich Volodya being released from a box after months at sea. After working as a Navigator on a ship, for some time it was discovered that he was in fact undead, Despite being benign, He was stuffed into his trunk and cast overboard.
This was an attempt to add more motion to my drawing and play around with telling a story. This features one of my characters, a king of a northern nation that reveres birds, in a harrowing fight.
I am back after a long break from here. Gonna be more regular again now after a absence. so this is a new piece. I hope you all like. Initial sketch was drawn over the weekend and had a redraw today.
its hard to keep good proportions in this turn or shift of the female body, n its more tridimentional by the wey,,,tell me what youthink please,,,,,,,,,,,pencil no reference,,
Knights, the strongest faction in Nornwan. Known for their much vaunted military might. Without the sacrifices and bravery of the Knights, the lands would be overrun with Dragons, or bandits, or some other horrid force of darkness. The bastion of hope, despite all disagreements they have had with the Church and Wixard Factions.
One of my original characters from a series of novels I am currently working on. This is Selnam Nameless, a refugee from the planet Jehikar. He is full of secrets.
pencil on paper. introducing fire elves. This was my favorite concept back when I was a noodle in high school. I have lots of doodles like this one, and a few are colored too. Can’t wait to share that with y’all
My next posts will be the pages of my sketchbooks one by one. I’m starting with sketchbook A which is my most recent one. Each sketchbook drawing will have the “SB” on the title, and they will be posted in order for your enjoyment.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
