A very rough sketch of my Ingellvar (I' not happy with it). I'll take this opportunity to talk about my headcanons:
Her name is Isida (once it was Isseya, but I renamed her).
She's an introvert. So leading a whole team to save the world is hard for her than for my other planned Rooks.
Her eye was damaged in a fight with Baron Van Markham, which really hurt her as an archer. Luckily, Varric taught her some tricks and gave her a second wind. She's back in action.
I don't know if it's mentioned in the game, but for now I'm headcanoning that she got the name Rook from Varric, who became like a father to her. So she prefers to be called Rook than Isida Ingellvar.
Sometimes she yearns for her elven roots, but still prefers Nevarra and Necropolis.
Hopefully, she will get me back into art.
Red Guy from Cow and Chicken. This was a request on my DA account and I actually feel proud of this one. I had a lot of fun drawing him and coloring him in.
I had some inspiration from H.P. Lovecraft and Disney. The tentacles come out from under her dress. I guess I'm embracing my inner villain or anti-hero, she is...disturbing but in an innocent sorta way.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
I was kinda bored when I drew this, so it came out in the art work. Incidentally, this guy looks a bit like a character in the nameless city series of graphic novels, which I finished reading recently. The first book is rather heavy handed, but the last two are much better by comparison.
This is a major redesign of an OC that I came up with a while back. She's a hardened battle general, fighting on the worst day of her life. The assault has failed, soldiers have been lost, and the darkness has used memories of her husband to lure her to her doom. She's not going to go down easy.
There's so much history to choose from. I feel that if we can add wizards to the middle ages, they should be everywhere else too. Also, all wizards in the seventeenth century wear scarves. It's a rule.
Drawn and colored by me, inspiration from a pause oc challenge on YouTube. Zayn is an escaped lab experiment with water elemental abilities. The cat on his shoulder is Raya, a stray that frequented the lab that he befriended. Zayn is a human with animalistic features and four eyes, marking him as unnatural. He is an original character, not based off of anything.
"You flee my dream come the morning
Your scent - berries tart, lilac sweet
To dream of raven locks entwisted, stormy
Of violet eyes, glistening as you weep"
Journey presents a surrealist setting where a man is rowing his boat through a wondrous landscape, surrounded by buildings and stones with strange symbols and runes. A bright heavenly light illuminates the traveller's origin while a stark contrast is made with the vibrant blue light, from behind the walls, of this mysterious sunken building. This artwork is for sale on inkywinky.com.au
