It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
A piece for an abandoned 5E adventure module; a portrait of the eccentric and reclusive host and owner (and victim) of the manor at which a garden party is interrupted by an unexpected murder.
