Drawn using 0.03 and 0.05 fineliners, this one is for a book cover so cannot reveal the finished image yet! I do love trees, they are so fascinating to draw.
This was so enjoyable to do. Hand drawn using black 0.03, 0.05 and 0.1 fine liners on A4 medium cartridge paper. 22.5 hours of work and made my eyes hurt!
A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
Gorgeous little Rupert the West Highland Terrier. He was drawn using black fine liners on A4. Love doing the animal portraits... I love it when their little eyes suddenly peep out the paper! Available as an A4 print.
My favourite commission so far! Took me a while this one but so pleased with the finished piece. Didn't want to let her go! Drawn in black and white line using fine liners.
A special commission for a Christmas present, drawn on A3 medium cartridge using 0.03, 0.05 and 0.1 fine liners. This was a bit different for me but I loved it so much! Took about 28 hours in total.
This is an acrylic painting that I made for someone I was close to. We would often take turns of one of us being overly affectionate and the other being playfully annoyed. I tried to capture this dynamic in the painting of these two owls. This painting was an experiment in portraying animals, something I don't do often, and using my paint knife as a tool in my paintings.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Cont. to work on BnW illustrations, I wanted to focus on making the reflections have a realistic quality. I struggle with clouds, but I felt I was most refined here. My BnW's seem to have so much more life and expression than my paintings. I'd love to hear your thoughts.
