fire

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

So, the shorter animatronics that I posted earlier were actually the second versions of those animatronics. I redrew them because of... how they looked, I guess. Their proportions were way off. This animatronic is the third version of one of the animatronics, Elizabeth. I was planning on making more of these guys, to update them all, but it takes hours to make these guys, because I also have to make the endoskeleton for them. So, right now, Advanced Elizabeth sits in Jester's workshop, where she'll be alone for as long as I don't make another advanced animatronic. Personally, I think these look a lot nicer, but the second versions (the ones I posted) have a certain charm to them. I'm also working on the right stage animatronics, the red fox and the DJ. Drawn with FireAlpaca. Don't expect any more of these advanced guys.

Sure, I went to a lot of witch burnings as a teen, but I learned what gettin roasted REALLY means in my 30s

The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.

Just a little vent art I did. Sometimes life is a little sucky, but there's always going to be ups and downs. Drawn with FireAlpaca.

This is my first post, so I'll keep things pretty basic. "Jester" is his name, but I like to refer to him as "The Ringmaster". He's my own creation, but he's inspired by the funtime animatronics from FNaF. This is also a stylized take on him. I'll post what he really looks like soon. He's comepletely sentient, and runs a pizzaria. There are shorter animatronics in the pizzaria, which he created, with the purpose to perform and entertain the people who come there. The shorter animatronics are not sentient, or possesed. At least, not yet. I'll also post pictures of these animatronics one day, hopefully in the next two days. I haven't really fleshed out what kind of story I'll make for him, but I'll use him eventually. Drawn with FireAlpaca. Edit: That's supposed to be a lollipop for his (your left) hand.

]÷.*$ | Drawn with FireAlpaca.

Just my own sort of animatronics. Not the characters, of course, but their own endo and personalization. Drawn with FireAlpaca.

Project for my health class. It's supposed to be a fingerprint, and the words written in are all postitive things, whether they are quotes or things I like. Thought this would be fitting for the "doodle" aspect. Drawn with FireAlpaca.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

A more accurate version of a Bonnie mask; this time actually based off of a specific animatronic (classic Bonnie). It's empty this time. Drawn with FireAlpaca.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

Just a lil' chonker. Drawn with FireAlpaca.

A full-body illustration of Ace. I think he might be my favorite out of the two. I imagine Bowie to be just slightly a little more naive than Ace. Drawn with FireAlpaca.

I'm a big fan of DSaF. I love the characters (kebab boy is my personal favorite), and I cried once I found out that they all freaking die in the end. But not like a little bit of programming can't do the trick, right? I'm using the same sense of Glitchtrap (aka not really being William, but rather an AI or sorts of him) to bring back (a replica of) Jack, Dave, and Henry in the modern world. They're stuck in springlock suits right now, surrounded by wires, as somebody works on them. Dave is in the Bonnie suit, Jack in the Fox suit, and Henry in the Freddy suit. The man who is working on them plans to open a pizzaria, and work alongside the three to create the "Fazfrick's experience". He will wear the Chica suit, because nobody else wants to be the girl. This is so sad. Drawn with FireAlpaca.

Firefly & Luna Moth

Even though I drew these two with the other three of the Liz Cat's animatronics, they somehow ended up really bad. That's why I didn't put them on the stage with the first three. Nevertheless, they are still part of the 'first batch', which is what I'll call this first iteration of the Liz Cat's animatronics. Drawn with FireAlpaca.

These Marshmallows are hiking out of the camp when these fire dudes come parachuting down on them trying to ruin their camping experience. What will happen to these Marshmallows? Acrylic on wood board about 22 x 28 inches.

An animatronic especially designed for a particular individual to climb into it, only for them to get impaled by a variety of steel bits. However, this particular individual was never captured, for their execution was performed only several days after the finishing of this product... so it sits, motionless, in the unused areas of Ringmaster's Pizza Hall. Drawn with FireAlpaca. (Why does this animatronic have eyes while the rest don't? Wouldn't you like to know, weather boy? (quote Jester during an interview.))

A Pokémon sweater I drew a while ago. It represents Japanese Pokémon Red and Green. I drew a static-head wearing a smiliar sweater, which is inspired from this. The Japanese text translates to "Monster". Drawn with FireAlpaca.

Some more stylized withered versions of the Altitone band members, Elizabeth (on the left) and Altor (on the right). Elizabeth has ears but no cameras (which are usually located somewhere on the head (look at stylized withered Preistor for context)), so she is blind. Altor has no ears but a camera (which has been broken off and now sits loose in Altor's disembodied head), so he's deaf. Before version 2 of these guys, Preistor was maroon (once again, look at stylized withered Preistor for context), Elizabeth was teal, and Altor was yellow-green (mostly yellow). They roam the halls in Jester's workshop. Drawn with FireAlpaca.

I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.

Here are the two tall animatronics. Jester (the one on the left) and Dellusion (the one on the right). They run a pizzaria. Jester and Dellusion are both sentient, but the others aren't. I'm still working on a final version of the shorter animatronics. But for now, have these two! I'm still trying to find a satisfying color palette for Dellusion, so if you have any ideas, let me know! Tomorrow, if I haven't finished the shorter animatronics, I'll post the piskel sprites I've made for them. This picture was drawn with FireAlpaca.

Jabbit is mainly a status Pokémon, but its special ability, Tick Off, allows it to do damage when using status moves. Its other ability, Infuriate, taunts the opposing Pokémon whenever it doesn't attack. The left is its normal colors, and the right is its shiny. It does not evolve. Drawn with FireAlpaca.

I think I've finally come up with a design for the Altitone crew that is actually appealing to children. All the previous designs had always looked like nightmares: no eyes, sharp teeth, faceplates, and most of all; they were all white --- and not all cats, rabbits, and bears are white. So, I needed to make them resemble animals a little more. And I did! I'm certainly going to keep revising these designs, though. But for now, I introduce you to the V1 Liz Cat's band! This restaurant chain will probably be the one that I'd make a FNaF fangame out of. Drawn with FireAlpaca.

Drawn with FireAlpaca. Ik nobody on this site knows these characters or what is supposed to be going on here, and that's why I moved to Instagram lol

Drawn with FireAlpaca.

Dave Miller picking up Foxy and tossing him into the Grand Canyon. Uhm, I think this was the first Dayshift at Freddy's, but correct me if I was wrong. Drawn with FireAlpaca. You guys seem to really like Dave, so have more! #It'sfreakingDave