Completed my first commission of the year — inspired by my Dream Tree mural in Bristol, for a couple from the neighbourhood who walk by the mural nearly every day
Pink tulips on toned tan sketch paper. This was my first time burnishing. I used the toned tan paper so that I could better see the effects of burnishing with a white pencil. I used Prismacolor soft core pencils.
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.
First illustration of Tehuacan tetra, Astyanax tehuacanensis that is endemic to the Río Salado (Gulf of Mexico versant), south of Tehuacán, Puebla, and part of Oaxaca, Mexico. Technic: mixed media (graphite and digital color).
45/100 of my nature illo themed 100 Day Project. I started my challenge drawing only on my iPad but hit some bumps when I forgot my Apple Pencil in Florida (I live in California). With that, I have been getting reacquainted with my sketchbook which has been set aside for a few months until now. Feels good to get back into it. Everytime I come back to painting, I wonder why I ever paused in the first place.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
Quirky Botanicals and Friends Colouring Book. My first colouring book, all hand-drawn illustrations that started off as doodles -- as a way of destressing and relaxing, taking breaks from 'real life' and work. My form of joyful creative therapy! It's available at Amazon worldwide and Barnes and Noble online.
When I read the first book of the "Outlander"-Series by Diana Gabaldon, I was really inspired by the idea of travelling in time through places like Stonhenge. This is what it looks like in my head.
This is the second oil painting I have ever made, and the first time I have attempted to create mountains, trees and bushes. I used just 3 colours for this: Raw Umber, Phthalo Blue and Titanium White. I learned a lot and had tonnes of fun at the same time.
First real art of the year. It took longer than I wanted but I love how it came out. Guess that's what happens when you put time into your projects - go figure. Just a little Copy Cat art from a beautiful, innocent, charming film - Ponyo. What's your favorite Studio Ghibli Film?
It's crazy to think that we've been in a pandemic for a year or to think we could ever get used to this new way of life. March 13th, 2020 was the day everything stopped for me: it was the last day I went to school and the last day I went to gymnastics for 5 months. The promise of two weeks' time, something I somewhat desperately held onto. Going into this, no one knew what to expect, it was the first time many of us saw life as we know it stop. Quarantine has definitely taught me a lot emotionally, mentally, and how to reach out and work through (and what bad panic attacks feel like :) ). I think it also goes without saying that I got through most of this because of the people around me, and I can't say enough how grateful I am to be surrounded by such amazing people. So, here I am. Life is still pretty rocky, but it's a process. Thank you to everyone who's been along for the ride so far ❤
When I am angry and frustrated with the world (politics, wild fires, injustice, etc.) I seem to be drawn to drawing raptors. The first one is today's sketch, the other two are from former days.
Blackwing pencil and woodless B4 pencil on Canson sketch paper.
Cute peaceful fox drinking coffee, wearing a scarf. Trying gouache for the first time. It's a really nice medium. I am definitely going to keep at it and make some more gouache paintings.
A DISPUTE IN SIGN LANGUAGE.
From Favorite Folktales from Around the World by Jane Yolen.
And this is what the poultry dealer related: “The priest pointed with one finger to my eyes, meaning to take out my eye. I pointed with two fingers to imply, I would take out both his eyes."
...
At the same time the priest’s friends questioned him: “What did you ask the Jew? What did he reply?” The priest related: “At first I pointed one finger, meaning that there is only one king. He pointed with two fingers, meaning that there are two kings, the King in Heaven and the king on earth."
This is the first prompt for Inktober 2020 (FISH). I used a Pigma micron .005 pen to do the black and white drawing. The colored version is tinted with Photoshop. I might print this out and try some other color combinations for fun.
