Working on tan paper. If you'd like to see my process there's a video of me painting this over on my Youtube: https://www.youtube.com/watch?v=k9jc-09Sjzs
Congrats to anyone else who took part in inktober this year! I focused on combining witches inspired by different types of teas and I had so much fun! I’m conquering my irrational fear of side profiles and I think it’s working, I’ve been really liking side profiles lately and finding them easier to do. I experimented on this piece with adding freckles (they’re a feature in all of my inktober sketches but I haven’t liked how freckles have looked when I’ve dotted them in with a pen or brush) and uh, I guess it was kind of a success? Next time I’ll use my lighter shading colour for them, as I used the ink I use for my lines and it turned out really dark and concentrated, but I think they’re cute! (and I have ink sprays everywhere)
Drew this for a professor that mentored me on my first research paper! You can also find me on facebook www.facebook.com/sonialaiart for WIP and updates!
More ballpoint pen experiments. This was trying to "blend" colors, using ball point pens in a similar way to colored pencils. I found Layering evenly to be pretty difficult, esp with the pens blotching and very very limited burnishing. The interesting thing is that the paper doesn't seem to get "tired" the way it does with pencils. This is just cheap printer card stock.
The challenging thing with just using pen is that I can't paint over a mistake. I usually redo a face more than once. I didn't mean to make their face so stoic, it makes them look like a statue.
Pink tulips on toned tan sketch paper. This was my first time burnishing. I used the toned tan paper so that I could better see the effects of burnishing with a white pencil. I used Prismacolor soft core pencils.
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
A "longer" colored pencil drawing, took about 4 days, 6.25" x 6.25". What originated from a moment of frustration turned into me staring at some flowers in our house, and then into the drawing I now present. The piece's original purpose has shifted, and hey, that happens. I'm not sure what I'll do with it now, but I'll figure something out...
Old drawing that I had contributed to a charity art book for Japanese tsunami relief efforts. Feel free to follow my facebook for additional updates! http://www.facebook.com/sonialaiart
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Drawn from a garden photograph. This took me much longer than expected. I kept stopping because I was getting discouraged. I still don't like the leaves, but there's not too much I can do about it at this point.
Created in colored pencil, I just wanted to show my love of the bees and all things green. We rely so much on Mother Earth and it's our connection to her that will continue to sustain us.
This was my submission to the recent Mother Nature doodle challenge held here. Mixed media using traditional watercolor and digital line art/embellishments. It is now available on Society6 as a print, stationery, and a variety of phone cases.
Every day in 2017 I drew in a Moleskine Japanese (Accordion Fold) Album (pocket size) with the goal of completing one continuous drawing all year. I filled up nearly six complete sketchbooks, completing a drawing that is 5.5 inches high and more than 600 inches wide. Now, what do I do with it?
