focus

manual focus sony 7iii tamron 70-180 lens, balmain NSW

The 2nd Glorious Mystery: The Ascension of Jesus. "So then the Lord Jesus, after he had spoken to them, was taken up into heaven, and sat down at the right hand of God" (Mk 16:19). Christ is ascending in glory while blessing his people and holding a scroll which represents fulfillment of the old testament and knowledge, Jesus is the source of all knowledge. This "icon" shows also those who did not actually witness the historical ascenscion (St. Paul) because we are called like them to participate in Christ's acenscion. The group represent the Church focused on Christ. The rainbow is of emerald like the book of revelation describes on His second coming because as the angels say, he will return in the same way. So much more I could say but a lot comes from just prayerful contemplation on the mystery. ^_^ #Jesus, #Christian, #Catholic, #Rosary, #Mystery, #Glorious, #Ascension, #DigitalArt, #Sketch

Concept idea for an upcoming canvas, but I’m not sure if it’ll stay like this. My days have had me wondering why certain problems exist, how we could solve them and how we can prevent in the future. This particular work will be focused on racism, and I’m very excited about the amount of research I want to do. I’ve been very angry and feeling powerless lately about this subject, and I’ll hope I’ll feel more useful after this project

Two-faced demon - I didn't want to add a whole bunch of detail, I wanted it to stay focused on her face.

Saint John the Evangelist SUPERCHARGED!!! lol. I decided to digitaly colorize him so he fits in with the other Evangelists. ^_^ Yeah and the Eagle because of his High Christology and focus on the Divinity of Christ. He's flying high in the Fiat now! :)

As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years. For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin. Prints available via my website.

Then repetition steps in. :). Ink and watercolor on cold pressed paper.. sometimes when it’s hard to focus I’ll pick a shape and just keep going...

Lately, I have been focusing on making art cards so that my work is more accessible to anyone who is interested but doesn't want to invest in a large original piece for their collection.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

I realized lately that I need to practice more instead of focussing too much on new ideas. So I started with face-practicing since I enjoy that the most. Thank you very much for looking at my drawing!

it doesn't look like that in real life, I've taken like a dozen pictures to try and get the whole thing in focus, it's driving me crazy

Went off a different prompt list today because I really wanted to draw something chill. Also I wanted to do some reference pose practice. PIntrest is a god send for trying to figure out how body's move. XD. This one is much more simple since I wasn't too focused on finishing the full color. Instead I played around with a few of my drawing programs tools. Tried to use its coloring mask, patterns, and texture brushes to get a simple yet readable mood.

Painted as a project for My Painting Environments class: https://skl.sh/32Khrti I am studying and working on my environment paintings, focusing on building textures and painting with light. This was submitted as my project for a Painting Environments course. If you have any advise, tips or comments on this painting I would love to hear from you. Thanks! Epic Valley Project parameters: - Hugh, expansive valley with mix of grassy and rocky terrain - Haunting, dramatic sky with rays of light beaming - Stone formations

This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

This is one of the pages of my handmade picture book (made w/ watercolor paper, watercolor paint, color pencils, and pen & ink). I really wanted to focus on illustrating the beauty of the architecture and vibrant colors of the buildings.

Before getting to this result, I never a actually drew a full fledge skeleton before. So rather than take on the entire thing at once, I took it upon myself to only focus on the upper half of the body. I’m still practicing human anatomy for drawing but I hope overtime, it only improves. :)

May 2019 was a month that I focused on collaging my own handmade paper together to create illustrations. I also started trying out gouache, to mixed results. It's a skill I intend to learn!

Pencil Sketch

Another wobbly neighborhood. Focusing on color and composition and leaving behind perfect perfective and detail. Ultimately, putting fun first in my personal work moving forward.

An article/rant/annotation to an illustration. A #Hackney bar and its flies. This picture is not as sad and blue as it might at first seem, I promise. It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly. In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism. In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever. The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage. The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance. But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence. But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?

Trying to draw when sick makes it difficult to stay focused

@siennylovesdrawing 's #handrawn #lettering ~ #Believe ~ specially #doodled for the #SexualAssaultAwarenessMonth (#SAAM) of #April 2019. Believe is a valuable support for the victims/ survivors to be brave & strong to speak up for themselves #Pens : #ArtlineDecorite @artlinemy #Colours : Metalic Green (Yeah!! She loves this closer colour effect to #Teal ~ Yes, the official colour of SAAM) Be a supportive active listener to focusing on a victim's sharing, not thinking ahead on how to respond, not to worry about giving advice, just purely let the victims know that they are being heard #believesurvivors very important, definitely the assault happened was not at all the victim's fault. She believes that every survivor deserves a safe place to receive support & help. "Yes, I believe you, you are not alone, I am here for you & you will get through this for sure" #IAsk #30DaysofSAAM #girlpowercampaign #artlinemy #typography #letteringart #art #instadaily #instaart #insta #artwork #artistic #positivevibes #design #artist #artistsoninstagram #artwork #siennylovesdrawing #healthy

Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression. Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more

Progression 3 of 6. In this one, I focused on the hair some more, his ear, fine tuned the eye and add shading to his face.

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I am a newbie who wants to be an animator,please help me to improve and comment me my faults , I will be uploading more artworks,let me tell you, my focus is on chibi art style.please leave a comment too. : )

This is my second shot at a full page floral abstract. “Trippy Forest” is my extra-colorful one, but this one is focused on details done in red, blue, black.