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This is my crazy, wild, and extroverted Australian Shepherd. Her name is Tasi. I have found myself pretty busy during the quarantine and haven’t done much art. Hopefully I can find a schedule and upload more frequently.

I haven’t done much art recently. This is a little sloppy, but hopefully it’s just that i’m out of practice. I would love any tips, suggestions, or any feedback for that matter.

Day 2: Puppy, for the DoodleWash Art challenge. A subject I always enjoy drawing. I was in the mood for a floofy boi and corgi pups are full of floof. #doodlewashnovember2019

Mixed media

Dark, dead and full of life at the same time.

My sketchbook is full with doodles , i am a doodler for life :)

I'm going to do a series of comics revolving around this character, Carlyle! She's such a an arrogant little diva, and I love her. I'm just doing this to test the waters and get used to writing comics. Not sure how serious I'm going to be with it, but hopefully I'll have fun along the way : )

This is a character design for a project I'm working on. She explores a ruined city full of knotted trees, strange plants, and giant crustaceans.

I pride myself for not being into internet drama or spreading gossip, but i do have a guilty pleasure. Mohammad agbadi is a youtuber who talks about problems with the art community, like tracing, theft, harassing and difficulties with etnic representation. Hopefully he wouldnt mind me borrowing his face to practise drawing black men... even though i heavily overworked his skin.

I have dragged this typewriter around for more than 50 years. I found it in an antique store when I was in college. It's still fully useable, except that it's REALLY hard to find ribbons. Basically, it's just another object to dust. But it is a beautifully made object. The basic shapes and perspective were blocked in with a 2H pencil, then I used a Sakura 005 micron pen to do the contour drawing.

you step carefully around the purple flowers blooming sporadically across the forest floor. it is very late at night, and you know that you shouldn't be wandering this uncharted planet on your own at this mysterious hour. but something in the trees beckons you subconsciously. as you begin to clamor up steep, untread areas of the landscape, you discard you burdens--a first aid kit, your water, all the suddenly unnecessary contents of your pack. something primitive roars inside of you. your pace increases; you now feel the shear closeness of whatever you are chasing so starkly. your feet and hands slip as you grasp onto the trunks of trees and throw your feet ahead of you with such purpose. at last, you arrive at a clearing--and there she is. and she is like nothing you have ever seen before. she is not human, far from it, but your passion for her claws at every inch of your insides. she is not like any creature that has walked earth or neptune. she is something entirely different, and you have fallen in love with that--with her.

This is another drawing i'm really proud of creating on my tablet and thankfully I recorded the progress (I will be uploading the speedpaint next week) I drew an Octopus because I really love Octopuses since they are one of my favorite animals in the entire world.coloring was quite fun as well as experimenting which led me to create this.

I haven't drawn him in a long while,he's actually easier to draw than other of my demon OC's it's just that I need to practice anatomy to draw a full character sheet of him.i drew his head too big I think maybe it's just his hair or how his other shoulder isn't visible nonetheless I finally drew him (I can't draw him with a crown because I haven't designed one for him yet) I may or may not finish this at all

This painting is basically for Janamashtmi and I have made Lord Krishna in it... And people here in India celebrate it really beautifully as today is the day he was born (^‿^) Happy Janamashtmi to everyone ✧◝(⁰▿⁰)◜✧

Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right? Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange. I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers. First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.

I haven't done a still life since highschool! I was finally motivated to make one after finding this black conch shell on the beach of Rimini. In the past I found one but it was broken, i feel like i've been on a healing journey and was delighted to find a complete full shell. In a way I took it as a sign of the healing graces God is pouring out on me. I also found the coral thing floating on the waves of the shore. I felt the presence of the divine through His creation that day. I picked up the other scallop shells and the red rock there too. The big snail shell I found outside the monastery, there are some big snails here! So yeah, I wasn't trying to be too precise in this still life but I wanted to jot down the idea and my thoughts from that day. Peace be with you all

Sorry I haven’t been around to post much. I’m always really busy during the summer months. I decided to buy a set of oil paints and experiment with them. When my set arrived, it was missing a blue paint so i had to improvise on this one. The painting is still wet so there is some glare in the image. I feel like it looks good, but I am definitely lacking the skill and technique in oil paints. That is why this painting is super simple and easy subject matter. Hopefully, I can start to get a feel for the oils :)

This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235

Painting, drawing, crayoning, markering (I just made that word up)...it's always more fun when a child is involved, even when they purposefully color over a character. It adds character to the character, no?

Need to create more Dragon Ball fan art, and thankfully I’ve done something about that for the time being!

This is an acrylic painting that I made for someone I was close to. We would often take turns of one of us being overly affectionate and the other being playfully annoyed. I tried to capture this dynamic in the painting of these two owls. This painting was an experiment in portraying animals, something I don't do often, and using my paint knife as a tool in my paintings.

We will take for granted that this is Hallow's eve, which is forever connected with black cats, afull moon, dead tress and pumpkins

My back yard is full of them!

Drawing of beautifull rock piles at Lapland mountain( called tunturi)

Another full sketchbook spread.

Once I found a boat made of bark that was called Darling. It was very beautifully made with a hold, rudders, a wheelhouse and cloth sails. But Daddy said I didn't have to find out who owned it. Maybe nothing is so important provided that it is small enough. At least that's what I think. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

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"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.