Weirdly enough, I never used to feel bothered by winter. A sign I’m “getting on a bit” as they say? I’m 32 come April, not 102 for feck’s sake! Whatever the case, roll on spring and general warmth, long overdue I have to say…
Just before the Christmas rush really intensifies and we bid 2024 adieu, it’s time for me to break in another sketchbook… Given the timing of it all, and life in general right now, the name “The Watt Nows” seems very pertinent for this new volume!
I'd like to introduce an old dear friend. This is my anxiety, depression, anger, and worst critic all in one package. He shows up alot in my doodles to criticize my work and life in general. I am a nervous wreck, which gives him his name.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. *including the whole spread, as sometimes I like the "waste" page most.
Most evenings, I watch a couple of news programs streaming on my computer. During that time, I also make it a point to draw a person (usually from an on-line reference photo) with a No.2 yellow pencil (generally Ticonderoga) on whatever paper is handy on my desk. It's good practice and keeps my hands busy. These are some "News Doodles" done this past week.
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
A representation of how human connection is formed by dance and the variety of styles found within dance. Additionally, the colors represent the general emotions each style invokes.
This is one of my first, and best pieces of digital art to-date. I created it using Procreate, inspired by my love of wolves, and Northern landscapes more generally.
My first attempt at pixel animation in a long time. This is a still from the animation. it is a bit rusty and I should probably add some more movement to it but for a general concept, for now I'm happy.
Immanuel Kant (1724–1804)
Kant’s biography is unusually devoid of external events.
As Heinrich Heine wrote: The history of Kant’s life is difficult to describe. For he neither had a life nor a history.
In actual fact, as Manfred Kuehn argues in his 2001 biography, Kant’s life was not quite as abstract and passionless as Heine and others have supposed…. If he failed to live a more adventurous life, it was largely due to his health: the philosopher had a congenital skeletal defect that caused him to develop an abnormally small chest, which compressed his heart and lungs and contributed to a generally delicate constitution. In order to prolong his life with the condition—and in an effort to quell the mental anguish caused by his lifelong hypochondria—Kant adopted what he called “a certain uniformity in the way of living and in the matters about which I employ my mind.”
This routine was as follows: Kant rose at 5:00 A.M., after being woken by his longtime servant, a retired soldier under explicit orders not to let the master oversleep. Then he drank one or two cups of weak tea and smoked his pipe. According to Kuehn, “Kant had formulated the maxim for himself that he would smoke only one pipe, but it is reported that the bowls of his pipes increased considerably in size as the years went on.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #ImmanuelKant @masoncurrey
Red-legged honeycreeper, Cyanerpes cyaneus (Thraupidae), a cool generalist avian nectarivore. Colored pencils for training. More like this on: https://www.instagram.com/camilojulianc/
just randomly thought of it and drew it,it doesn't like to be touched it also floats away whenever there's a disturbance (it hates loud noises,people in general)when there's danger it's true form is revealed (not cute or innocent looking anymore),scaring or possibly hurting whoever wanted to hurt this small monster thing in the first place.I might draw it again soon.
Late night (really late) watching the beautifully made silent film The General by Buster Keaton. I stopped it here when the bad guys climbed up on a moving train fixing for a fight! I used 6b pencil on Procreate
This is a major redesign of an OC that I came up with a while back. She's a hardened battle general, fighting on the worst day of her life. The assault has failed, soldiers have been lost, and the darkness has used memories of her husband to lure her to her doom. She's not going to go down easy.
I'm usually bad at portraits or drawing faces in general so I decided to practice a bit more and this was the result of my first serious attempt at a portrait drawing using graphite pencils and black fineliners
