"I don't want to be here. I want to go back." *Her hands pressed against the glass tank. Her eyes searched his eyes, a silent plead. But the prince just smiled, not a charming pleasant one. It was one with dark intent. "You will never leave. This is your home. So enjoy the attention as you get it."
3/17/2020 San Francisco. The art studio is closed because of social distancing for the Coronavirus. My teacher sent out a note with a sketch she did and suggested we do a drawing a day during this isolation, to stay calm and creative and maintain our community. A neighbor put out a bucket with free bouquets, and it inspired me to pause while I was getting dinner started and do this instead. Definitely rusty after not being in the studio for two weeks!
THE SMALLER YOU ARE THE BIGGER CHRISTMAS IS.
Underneath the Christmas tree Christmas is vast, it is a green jungle with red apples and sad, peaceful angels twirling around on cotton thread keeping watch over the entrance to the primaeval forest. In the glass balls the primaeval forest is never-ending; Christmas is a time when you feel absolutely safe, thanks to the Christmas
tree.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Colored pencil drawing on bristol of a golden pothos clipping in a glass of water. Visit https://youtu.be/5MZRA0jmGD4 for a time lapse video of the making of the drawing.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
This is a self-portrait. I didn't use a mirror or a picture here. This is what I look like in my own memories. It's a bit misleading, I think I am skinnier than the drawing suggests, but that doesn't feel like me. I have been overweight for years and I feel like I am too skinny at the moment. I feel like I should be curvier like in the drawing. This is about body-image, body-dysmorphia even. I do have those clothes, glasses and haircut. This work is pastel on paper (it's quite big, but I don't have a measure closeby)
Super Nationals at the Gaylord—two rivers running through the lobby, actual boats gliding under glass ceilings, a nature center tucked between restaurants. Noise everywhere: kids, clocks, pawns and queens. Yet here, in the middle of it, a pause. A man leans back with the weight of waiting. A woman sits, at ease but still seeking. An empty chair remembers everyone who has rested there. In a place built to dazzle, what lingered with me was not the spectacle, but the silence. To draw is to honor the quiet within the clamor.
thinking and seeing for better being — https://forming20.com/
