Nero extra soft oil based pencil is a great doodling and sketching tool that I have been using for a couple of years. Not smudgy and delivers good lines.
Fineliner sketch depicting the unruly world that is the press, i struggle with many news outlets and the odds they use to sell and manipulate people. It can cause real suffering, real negativity, real bigotry. Blood is on all there hands.
I hand a hankering for some good Argentinian style steak one afternoon and went to this delicious place and stuck around to have a pastry (or two) Ballpoint pen
'Draw a Dragon Mummy'.
So called because that was my daughter's reply when I asked her what I should draw one day. My daughter is obsessed with dragons.
Drawn a year ago in March.
www.lorriewhittington.co.uk
Next sketch one from my travelling sketchbook 2016 made this summer, this time from a very short; but exiting stay in Berlin. Our van in from of our friend's house, which was going through a lot of reparations and where I painted a big mural :) Enjoy
A horizon of chalk—black sky heavy with silence, gold earth glowing with embered breath.
Between them, a thin line of turquoise, the pause where one world ends and another begins.
It is not sky, nor sea, nor sand alone. It is the threshold—a doorway, where silence teaches and light remembers.
Stand here long enough, and you may hear it breathe.
inking and seeing for better being — https://forming20.com/
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.
A handful of Brit flicks have been showing up on Disney+ lately, and one of them I watched recently had Luke Perry of all folks in it... the film in question is called ‘The Beat Beneath My Feet’ in case you’re curious.
In all seriousness though, British films with American actors in them as a lead/central character will forever and always fascinate me, much like Luke Perry’s birth name did! Rest well good sir and thanks for everything.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I start this just doing random doodling at upper black part and because it looks quite nice i start to search reference from my phone. Found one shot month ago at beach with dramatic clouds
This line from the Stephin Merritt episode of the 'She's A Talker' podcast (referring to Stephen Sondheim plot-lines) got my imagination ticking in overdrive
I'm not sure how this happened,
And neither is this peep:
A beach vacation for his wife
That he bought on the cheap.
He wanted to surprise her,
So this is what he got.
Turns out his wife prefers a beach
With water over not.
