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Ioannes Ioannes
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Blocko Land

i'll start with one and see how it goes

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Ioannes Ioannes
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Last Minute Packing

somehow it's always last-minute when I'm going on a trip

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Flame Flame
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Bluestar

i drew this a where i drew this and hope it at least gets judged as goodhile ago

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Linda Knight Linda Knight
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Kissh ssj | oc | 2013

db oc art from 2013

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Nate Purrington Nate Purrington
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Wellness

Original 11”x14” Acrylic on canvas. Fruit and a salt lamp. What’s better? For sale.

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Sevda Khatamian Sevda Khatamian
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Map

I reach the crossroad, look to the right, and then to the left. Couldn't tell which way to go, downtown had always got me confusing. I crossed the street, the light was red.

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Cobi Rogers Cobi Rogers
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Dark Freezebrain

For day 2 I decided to cartoonize one of my ex-coworkers. Any emotion you get from this piece are the emotions I got from him everyday.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » du Richelieu de Philippe de Champaigne

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Zoe Marshall Zoe Marshall
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Greebo

My parents gorgeous old lady.

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Diana Bukowski Diana Bukowski
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Bear & Bun

Based on a sketch I did a long time ago.

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