Horse eye done in graphite. Took about 3 hrs to complete. I’m really happy with how it turned out, but this was my first time doing a detailed eye so I would love to hear what you guys think!
We had our yearly meeting (via Skype this year, rather than in person) with our financial adviser. It was an hour spent drawing this giraffe during the call. She's referenced from an on-line photo.
Cette année encore, Sylvette s’est portée volontaire pour assister son grand-père dans sa tournée.
Joyeux Noël à ceux qui le fêtent, bonnes fêtes aux autres !
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Once again, this year, Sylvette volunteered to help her grandfather in his rounds.
Merry Christmas to all who celebrate, happy holidays to everyone else !
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Print available on my redbubble!
https://www.redbubble.com/fr/i/carte-postale/L-assistante-du-P%C3%A8re-no%C3%ABl-par-kineko/42728934.V7PMD
In an attempt to be much more consistent with my drawing practice (and to tackle my insecurities about showing people my drawings) I am hoping that posting some of my sketches online will help keep me accountable. So day 1 sketch, I managed to find a very cheap used college set of Rotring Rapidograph pens online, when they arrived today I was delighted to see that they had NEVER been used! After a bit of a happy dance I got a couple of the pens assembled and started to figure out how they work. This is a quick sketch on tracing paper not that I was tracing anything I just need to invest in better paper with less tooth to be able to use these pens without having ink flow issues.
These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
Pipe Wrench — 16×20, graphite & acrylic accents
The next addition to my growing Tool Series. # 6
A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.
