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SEARCH RESULTS FOR

graph

Lisandra Lisandra
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Maybe tomorrow

11”x14” charcoal and graphite on paper

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Odinel pierre Odinel pierre
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The carpenter

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Odinel pierre Odinel pierre
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Your time has expired

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Odinel pierre Odinel pierre
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Colorful bathing suit

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Aarefa Tayabji Aarefa Tayabji
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Food Photography

Cereal Killer is a company which inspired this food photography session. It was really fun and creative.

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Odinel pierre Odinel pierre
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Boy feeding dog

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Odinel pierre Odinel pierre
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Mommy duty

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Jonathan plotkin Jonathan plotkin
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Together time

In these times family matters.

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Nina Lubarski Nina Lubarski
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Frank

Graphite doodle

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Samantha Samantha
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Trust issues

There’s a lot of shit going on at home for me right now. And I can’t sleep so I made this,

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SiennyLovesDrawing SiennyLovesDrawing
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#stayHome

Together gather we, all Malaysians https://siennylovesdrawing.wordpress.com/2020/03/24/not-boring-exciting-stayhome/

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Robyn Jensen Robyn Jensen
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character creation!

working on characters!

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Elaine Vitikainen Elaine Vitikainen
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This Asian in times of Corona

In times like this. No worries!

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Tina Sonntag Tina Sonntag
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C-Rad

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

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Rigo Montes ♓️ Rigo Montes ♓️
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Ying and Yang

My soul has been severed in two, like Yin and Yang, these parts interlace. Only both are beast.

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Simon R Simon R
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Long hair girl

A few hours with graphite

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michael kelly michael kelly
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Sucker.

digital graphite

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Francisco Toledo Francisco Toledo
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Lebowsky

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Nate Purrington Nate Purrington
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Bad Habits Too. Two. To. Too.

Original 11”x14” Acrylic on canvas. For sale.

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Noah Mathue Turner Noah Mathue Turner
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Women face

A face bro

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Robyn Jensen Robyn Jensen
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profile study

8 x 12 graphite on paper

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sankalp patil sankalp patil
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SUN IS CRY

SUN IS CRY_Climate Change

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priscilla galindo priscilla galindo
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Updated Mr Robot

I went over the graphite with some watercolor pencil

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Katie Young Katie Young
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Random Cat

This is just a cat I drew using graphite pencils and a q-tip. Sorry about the bad quality photo.

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Hachibi Hachibi
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Ice cream

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Soph A Designs Soph A Designs
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Borat 19/9/19

Lol I drew a portrait of borat with graphite pencil

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aMY FRaNCo TiZoN aMY FRaNCo TiZoN
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Very leafy

Calligraphy ink on watercolor

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Steve Steve
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Tender

An abstract watercolor portrait seeking to capture a tender moment. I really enjoyed painting and then photographing this portrait.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Wassily -Kandinsky – Painting style Wassily Kandinsky –Circles in a circle - 1923

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de Galasymptomes Rhinocerontiques de Dali

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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