This is the next redo on tap. It's a watercolor painted in about 2006. Likely I'll only change values of the leaves--the lighter ones. And I will try to define the yellow petunias better.
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
this is a drawing i did of lemon boy, by cavetown :D i love that song. also now my name doesn't make sense because i'm twelve now.. i think you can change it? this is also like the third digital drawing i've ever done so idrk how to draw on a tablet yet.
Reject friendly designs, return to Sister Location monstrosities. These are really just the 2.6 animatronics but with some changes. Drawn with Fire Alpaca.
A colour sketch of Llyn Brianne in preparation for a much larger piece. The sketch was done in acrylic, but then I changed my mind and started the full-sized piece in oils.
This little acrylic was inspired by the autumn morning skies over Penrhos. My partner and I lived with her parents for a time while we renovated our first house. I used to hang out the 3rd floor window in the mornings to take reference shots of the skies.
The M capturer before Jester had a mental breakdown. It's basically just a recolored Springlocker, a suit which looks like an Altitone animatronic, but hollowed out so a person could fit in. It has a full range of movements, and a voice changer, but it doesn't have a voice vix or anything like that. Drawn with FireAlpaca.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
This is Chess Choco Cookie from Cookie Run: Ovenbreak. These twins love playing chess more than anything, so be careful, if you engage in a match with them, you will have to play until the very end.
This was a recreation of one of my sisters works, actually! I changed the sky and the element a bit. I don't love the water, but I think the main idea is cool. Comments always welcome!
Ive been so occupied with myself that im so way behind with everything (including drawing)ive been practicing animating too.I don't stylize my OCS at all because I have no idea why.I was inspired by the bratz to draw adely like this (big head small body big eyes and big feet)might change her pose and draw nelsy (new name) next to her.
This was probably one of the first pieces I have done where I used a reference photo for inspiration. I usually just use them for anatomy and perspective, but this time I stuck to the basic idea of the photo. (I still changed a lot tho, haha)
this painting is a sectional part of a theme which is how evilness converts into spirituality.in this painting it is made that the evilness is strong and it doesnt change so quick.
...music lover right here guys! It’s a few days before Christmas...have yourself a Merry Little Christmas... let your hearts be light...from now on your troubles will be out of sight...through the years we all will be together...if the faiths allow... hang a star above the highest bough...and have yourself a merry little Christmas now!
This oil painting was , for me, an explosion of a new freedom I found after finally getting a home nearly 40 years ago, a room with a sink and a bed and a window. I hadn't painted for years, and never without extreme self-consciousness. But years of homelessness changed me and my appreciation of "art". That freedom eludes me these days, that 'ignorant' notion that I can do whatever comes to me. I'd love to get it back. Surely it's in us all. It may be better to paint to be satisfied than to paint to satisfy...
This little illustration was motivated by recent changes I have experienced at work. We've been asked not to eat lunch together- even when socially distanced, due to recent outbreak of Covid 19 in our area. This captures the feel of isolation at work for me. Hope you like it!
