Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I've finally redrawn my profile picture! Except, my actual profile picture will be magenta instead of blue. This design still isn't canon, but I haven't found the motivation to redraw the entirety of the Ringmaster's crew. My last attempt was with the advanced version of Elizabeth, and the unfinhed Preistor, but they take so long to make --- and that's why Preistor goes unfinished. The reason they take so long is because I also sculpt the endo inside of them, in which the 2.5 versions didn't have an endo, and the joints and such were put in after I had drawn ths shell. Drawn with FireAlpaca.
I realised how a lot of my human work was not very diversified. So I decided to practice drawing my OC S4V4N7 in their human form. I believe that they would definitely be a POC. S4V4N7 as an African-American Male.
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
This is Yoki, from Dweller's Empty Path. She's someone who works for the Crown and helps calming down BEAST-Types. No other one possesses this power though, what makes people suspect she might be a BEAST-Type herself.
I painted this as a commentary on Christ's response to disability in John 9. He states that the blind man was not born blind because he sinned, but so that the works of God would be revealed in him. This was so cathartic to paint.
This is a rendition of a traditional Buddhist deity. Read the essay that goes with the image here: https://docs.google.com/document/d/1gbpgx8-zX3ZVJrZanSG24ZGu2VMt6dNWVM34G_R0oW8/edit?usp=sharing
The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.
Sketch from lunch break in between work-hours (poor quality sketch/photo). unrelated: I walk home from work 3/5 days every week, and I have leveled up a social link with a kind old stranger I frequently see /occasionally talk with on the walks home. This will unlock the good ending later, though I'm not sure what that ending is. Just hope it happens soon.
I drew this up pretty quickly on a whim. I don't know what the story behind this is, what either of those creatures are called, or who that lady is. All I know is that the snail creature should be voiced by Tom Hiddleston
"Sometimes the bridges that are hardest to cross lead to most magical places. "-anon #painting #originalart #art_aristina.z #aristina.z #digitalpainting #illustration #autodesksketchbook
I don't mess with oceans. One time, I just wanted to cool off on the edge. The undertow was so strong that I got trapped, knee-deep from the shore. Nothing I could do but just wait for the giant wave to pile-drive me into the beach. So much sand crack.
I really like this piece. I dunno why. His eyes are a litte bigger than I usually draw, but aside from that, it's perfect. I think the cherries are a really good background, due to the backstory of this character. Drawn with FireAlpaca.
