A handful of Brit flicks have been showing up on Disney+ lately, and one of them I watched recently had Luke Perry of all folks in it... the film in question is called ‘The Beat Beneath My Feet’ in case you’re curious.
In all seriousness though, British films with American actors in them as a lead/central character will forever and always fascinate me, much like Luke Perry’s birth name did! Rest well good sir and thanks for everything.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”
As we approach the end of winter, who knows where we’ll end up next? Still cautiously optimistic here...
As long as there’s stuff to inspire us all, it can’t be all that bad?
I'm not sure how this happened,
And neither is this peep:
A beach vacation for his wife
That he bought on the cheap.
He wanted to surprise her,
So this is what he got.
Turns out his wife prefers a beach
With water over not.
The European Goldfinch is a striking small finch with a distinctive red face and black-and-white head. Its wings are black with a bright yellow wing bar, while the body is mainly buff or light brown.
During the breeding season, the bill of male and female goldfinches is white, but at other times of the year, it is marked with a black tip.
Female goldfinches are very alike in appearance to males, and visually, it is hard to tell them apart from a distance. At close range, the sexes can be distinguished by the size of the red facial patch, with the females not extending past the eyes as it does in males of the species.
Juvenile goldfinches do not develop adults' red, white and black facial markings until the late summer or autumn after hatching. Until this point, they have streaky buff-brown markings on their heads. Info: Birdfact . com
Orangutan sketch (Original Dimensions: 3000x3000px x 300DPI) to try out my new iPad Air M2 13 using both iArtbook Pro and Artstudio Pro artist apps. This iPad is awesome for power and quickness.
Here are three main facts about adult male orangutans:
1. **Physical Characteristics**: Adult male orangutans are significantly larger than females, with an average height of about 1.2-1.5 meters (4-5 feet) and weighing around 50-100 kg (110-220 lbs). They develop distinctive physical features such as large cheek flanges (fleshy pads) and a throat pouch, which they use to produce long calls to communicate across the dense forests.
2. **Solitary Lifestyle**: Unlike many primates, male orangutans are solitary creatures. They spend most of their lives alone, except during brief periods of mating. This solitary behaviour reduces competition for food and other resources. The males will range widely and have large territories that often overlap with the ranges of several females.
3. **Long Call**: Adult male orangutans have a unique and powerful long call that can be heard over great distances. This call is used to establish territory and attract females. The call consists of a series of roars, grunts, and bellows, and it serves to warn other males of their presence, helping to maintain social hierarchy and reduce conflicts.
Ps i hadn't drawn Cleetus from flamingo on their own in an while was his commission pt 3 i drew 1 month ago yet again in the sneezy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz
A fantastical bullwhale creature with a mix of whale and bull features glides through a vibrant, swirling, blue and orange hues body of water. The colors blend in a mosaic style, enhancing the creature's mythical presence with a composition that creates a sense of movement and depth, capturing an imaginative underwater scene.
Patron Saint of Lost Keys and Small Things.
Reminded me of this poem by Elizabeth Bishop.
One Art
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
A tiger wearing a teal suit and top hat is depicted against a muted background, giving an elegant and whimsical appearance. The animal's serious expression is emphasized by the formal attire.
P. G. Wodehouse (1881–1975)
Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil.
After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden.
- From Daily Rituals: How Artists Work by Mason Currey
“He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.”
― P.G. Wodehouse
#dailyrituals #inktober #PGWodehouse @masoncurrey
George Balanchine (1904–1983)
Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule.
- From Daily Rituals: How Artists Work by Mason Currey
“I like to do things certain ways and I disagree with everybody but I don't even want to argue.”
― George Balanchine
#dailyrituals #inktober #balanchine @masoncurrey
A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
