This was painted shortly after the peregrine painting. The peregrine was given to a raffle, and the winner of that painting purchased this one when it was finished.
I overheard the term ‘feeding the muse’ after what felt like an age and two halves at some point this week, so I figured I’d utilise it as a source of inspiration (and corrupt it in the name of art) somehow...
I'm not sure how this happened,
And neither is this peep:
A beach vacation for his wife
That he bought on the cheap.
He wanted to surprise her,
So this is what he got.
Turns out his wife prefers a beach
With water over not.
Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
the chesnut tree (‘Kastanie’), that gave name to this pub, or, more precise, the substitute, that was planted some 20 years ago, after the old tree fell in a storm. quite big already
Dropping bombs on people's moms...
All because he's mad that his own mom named him "Tom."
He overreacted but there's more to explain, though-
Keep in mind the fact that his last name is "Aito."
Watercolor and India Ink on Yupo paper. If there is any single way to let go of detail and think simply, it is by using watercolor on Yupo paper. You basically have to surrender control and just see what happens.
Réalisation du portrait de @Alexia Mayer dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
"You think your car's cool? Well mine is better than yours.
My car is so fly it doesn't even have doors.
You can't show ME up - the girlies know what's up,
When they see me roll up in my Speedy Teacup."
Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.
