I went on ahead to the house, crying all the way, but now it was mostly to make an impression. Daddy followed and lit a candle because all the lamps were in the theater. He showed me the pike he had caught.
It's a lovely one, I said, because one must always say something when someone catches a fish. And then it was too late to cry any more. I put on my ordinary clothes again and we had a cup of tea together.
Sculptor's daughter by Tove Jansson.
#dailydrawing #toveJansson
An illustration from my sketchbook. I used it as a header for a blog post I wrote here: https://substack.com/home/post/p-177688791 It's a warning about the mark of the beast. I recommend you to take a look!
An idea sitting around in my head for some time. It came out today as a sketch, but I still feel that I am not ready to draw this for real. Next time, maybe.
My head is a place I fall into. I don't mind it...most of the time. But what I produce sometimes might reflect what is happening within. Its a maddening wonderland that I wander around in.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.
Model with Headphones Drawing Sketch Study by Oz Galeano
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Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
"The one who enters by the gate is the shepherd of the sheep. The gatekeeper opens the gate for him, and the sheep listen to his voice. He calls his own sheep by name and leads them out. When he has brought out all his own, he goes on ahead of them, and his sheep follow him because they know his voice. But they will never follow a stranger; in fact, they will run away from him because they do not recognize a stranger’s voice." - John 10:2-5 (NIV). And, apparently, they really do: https://www.youtube.com/watch?v=e45dVgWgV64
3 of 5, She's a witch character I revived. I scrapped her as an MC because her old designs were too hard to replicate and her character background took over the story I wanted her in. She has a seven-pointed star on her forehead that glows when using and detecting magic.
