Before getting to this result, I never a actually drew a full fledge skeleton before. So rather than take on the entire thing at once, I took it upon myself to only focus on the upper half of the body. I’m still practicing human anatomy for drawing but I hope overtime, it only improves. :)
The second of my character uploads. Nara is a dragon with her life force connected to nature and who has a very compassionate heart. She hates when fighting occurs.
For some reason I tried some floral drawings, of different shapes, and I also used mixtures of different colors to produce hues of green. The first page - it’s a mix of the cobalt blue (PB 28) and cadmium yellow medium (PY 35). On the second one there is ultramarine (PB 29) for the blue color and the same yellow paint. To me, it seems the difference is very little but I’ve got the color closest to the ‘normal’ green using Cobalt rather than ultramarines. The latter gave either to yellowish to olive hues or too blueysh
Working on inking this sketch today. I have so many sketches from finished projects, I figured they'd make good practice to refine my line work. I'm also recording another time lapse video showing this process
May 2019 was a month that I focused on collaging my own handmade paper together to create illustrations. I also started trying out gouache, to mixed results. It's a skill I intend to learn!
Unaware - i don't think there's a good way to find out you're a robot...but having your skin melt off your arms to reveal a metal skeleton is probably not ideal.
Another wobbly neighborhood. Focusing on color and composition and leaving behind perfect perfective and detail. Ultimately, putting fun first in my personal work moving forward.
"Sometimes everything seems so far away. Sometimes even breathing is hard."
thes
-
0.3mm led, white led, eraser
-
Videos:
https://www.youtube.com/apricotjams
https://www.instagram.com/_apricotjams
-
Podcast:
https://www.apricotjamspodcast.com
Available Everywhere
-
Business Inquiries & Paypal Donation:
apricotjamspodcast@gmail.com
Réalisation du portrait de @Alexia Mayer dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
I have never loved drawing anything city related because I am lazy when it comes to perspective. However, I have learned that I actually like the wobbly nature of my more recent attempts. Or, I simply embraced my laziness. Either way it has been fun!
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
