This was the best sketchbook I ever owned. It appeared mysteriously and within a year, was gone to the wind. These are the back pages where I was exploring different water and alcohol marker brushes and ballpoint on the amazing vellum-like paper.
Hello everyone I am going to graduate this year in the field of IT engineering If you find my arts good I am ready to work in artistic field if you hire me.
"If you're a goblin in need of a smoke, you know where to go" Part of a series I've started with monsters in the modern world, this is the digital work I've liked the most so far, but I'd appreciate feedback on anything I could improve on.
This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece
I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp
Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235
For an Instagram art challenge, we had to draw a beat ‘em up character in the style of a robot. Here’s my contribution! I could’ve gone with some fairly obvious choices, but to challenge myself and try something new, I opted for Gon from Tekken 3. Turning this dino into a robot, now that’s where it got interesting!
When you take a punt on a blind sticker bundle for your art… because, reasons!
Can’t say I’m a huge Britney fan but I don’t dislike her though. Millennials like myself couldn’t escape her no matter how much we switched the music TV channels over as kids hahahaha! If I ever encounter anyone who doesn’t know who she is, I’ll tell them she was the Tate McRae of the late 90s/early 2000s…
Sunday morning, more than a decade ago.
Music, fellowship, and reports about what God was doing here and there.
Some things are worth remembering. We learn from looking back—
but we must live forward.
Two wicker chairs in the sun.
One for the waiting,
one for the hoped-for.
The table between them
holds its silence,
its place set for bread or talk.
I draw what is here—
lines quick and unerasable—
and what is not here,
her presence,
waits with me in the white of the page.
This delicate digital illustration captures the quiet charm of a hazel dormouse, portrayed with soft textures and warm, natural tones. Every fine hair and subtle contour has been carefully rendered, bringing a lifelike sense of warmth and vulnerability to this enchanting woodland mammal. The dormouse’s glossy, expressive eyes and gentle posture invite the viewer into its secretive world, hidden among hedgerows and ancient woodlands. Created using digital drawing apps, this piece blends realism with a tender, almost storybook quality — a celebration of one of Britain’s most beloved yet rarely seen native species.
