And here it is: The Transfiguration! in color ^_^ Elijah and Moses with Jesus and the Apostles from left to right: James the Greater, John and Peter. I have his stigmata in gold because we hadn't recieved the wounds yet but this vision is a big revelation and confirmation of His divinity and mission so I put some signs there, but the apostles would not yet understand, but after they would.
Matthew 17: 1-9
[1] And after six days Jesus taketh unto him Peter and James, and John his brother, and bringeth them up into a high mountain apart: [2] And he was transfigured before them. And his face did shine as the sun: and his garments became white as snow. [3] And behold there appeared to them Moses and Elias talking with him. [4] And Peter answering, said to Jesus: Lord, it is good for us to be here: if thou wilt, let us make here three tabernacles, one for thee, and one for Moses, and one for Elias. [5] And as he was yet speaking, behold a bright cloud overshadowed them. And lo, a voice out of the cloud, saying: This is my beloved Son, in whom I am well pleased: hear ye him.
[6] And the disciples hearing, fell upon their face, and were very much afraid. [7] And Jesus came and touched them: and said to them, Arise, and fear not. [8] And they lifting up their eyes saw no one but only Jesus. [9] And as they came down from the mountain, Jesus charged them, saying: Tell the vision to no man, till the Son of man be risen from the dead.
Saint John the Evangelist SUPERCHARGED!!! lol. I decided to digitaly colorize him so he fits in with the other Evangelists. ^_^ Yeah and the Eagle because of his High Christology and focus on the Divinity of Christ. He's flying high in the Fiat now! :)
And Finally it's Saint Matthew giving a high-five to his Symbolic Angel (Or "human with wings" technically)! I Made it more like a fairy or something, it's not like a mount like the other symbols of the evangelists. So Matthew looks a little more Fatherly because in the Gospel of Matthew the theme of God the Father is the strongest of the gospels (mentioned more times etc.), also it's the only account that gives the account of the Annunciation to St. Joseph and lots of details on St. Joseph, the virginal Father of Jesus on Earth. (I should probably redo St. John since I did the others with more detail, I actually I did that version of St. John a few years ago but I finally decided to color and outline it recently. All the others are new though.) Let me know if you want to see anything! I'll probably do the mysteries of the Rosary next. ^_^
pencil on paper. introducing fire elves. This was my favorite concept back when I was a noodle in high school. I have lots of doodles like this one, and a few are colored too. Can’t wait to share that with y’all
I have alot of other hand drawing artworking but as a basic member i can only post 1 of them each day, more coming soon. This artwork is made with notebook paper and a pen with high lighter. I don't know why it went upside down xd
Melma is a demon that is obsessed with fashion and making people work until they no longer can. She has a high opinion of herself and is known to get violent if people disagree with her.
Bringing the inner peace with sketch. Nearly did after an year from my last art work. In a complete learning phase. Critics are highly welcomed and appreciations too.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Remake : Francis Bacon – autoportrait
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
my new work! - Here he is, he comes! - Pepe Fajgl said, pointing at the top of the hill.
The environment was typical for the territory of a mortician: valleys overgrown with low grass, and with some high ground. Pepe Fajgl and I left the corpse Henri de Functa at the foot of the hills and watched the Mortician as it approaches the dead body at a uniform speed, his beautiful eyes were fixed to the deceased.
"It's wonderful," I said to Pepe, - it is certainly longer than 20 meters. -
The Morticians are the beings that all the inhabitants of the World of Fantasies respect and love, since they have appeared, the precious earth is no longer polluting with graves and cemeteries, number of burning corpses and then a terrible smell almost came to zero, pollution of the lake and the sea throwing the dead into the water stopped. After Mrs. Death takes life and the soul went away
in the wheel of the final verdict, it remains only material, dead, a bit valuable part once alive being, the meat that becomes a problem for family and community.
Mortician comes to the dead body of the late Henri, its enormous mouth silently sucked corpse, he turned, and dignity went behind the elevation, the problem was solved forever.
A 3 format
Progression image 5 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). Here the drawing started to come together. I used a metal tip to a mechanical pencil and dragged it along the paper to create the highlight effects in her hair. It is effective but irreversible, so I don't do it very often.
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
