Even though I drew these two with the other three of the Liz Cat's animatronics, they somehow ended up really bad. That's why I didn't put them on the stage with the first three. Nevertheless, they are still part of the 'first batch', which is what I'll call this first iteration of the Liz Cat's animatronics. Drawn with FireAlpaca.
attempt at free hand drawing with no sketch just lines, it looks so weird to me hehe. anyways its jimin and i had to figure out how to make his face look good in it as well as add details.
I realised how a lot of my human work was not very diversified. So I decided to practice drawing my OC S4V4N7 in their human form. I believe that they would definitely be a POC. S4V4N7 as an African-American Male.
literally, this image is crooked! sorry!!! fixing it made it look stranger, don't ask me how.. hehe. just some still life stuff with sennelier oil pastels. fuits, weird onion case and ink and cigs, and a picture of someone with a flower in their lap
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
I finished it. I thought of this while listening to “Shadows of Mouldwood” from the “Ori and the Will of the Wisps” soundtrack. It’s a protector. Not the good kind. Don’t tell him about the kids that bully you, or the teacher that made you stay after school, or how your father beat you with his belt. When he asks you what you need, just tell him, very politely, you don’t need any help, and make sure you do it convincingly. Because he really wants to help.
I did this for a Skillshare class. It’s about how giants feel overwhelming but that there is victory in Jesus. I wanted the problem to look impossible and big but show that she knows that God will be enough for her to overcome. It encourages me sometimes to make stuff like this.
Okay, so, even though I was certainly not born in the times of Showbiz Pizza Place, I am still in love with it. My favorites are Billy Bob, Looney Bird, Rolfe Dewolfe, and Uncle Klunk (but saying that I have favorites makes it look like I don't love them all...). I really wish that Showbiz was able to stay around, just for one birthday... maybe my sweet 16, or something. I dunno. Drawn with FireAlpaca.
Flamestar from elijah_the_cartoonist on instagram
Finally done. Omg I forgot how difficult flames are! Well making them look like flames is difficult. It's not the comic style that I desire but it's a start because I compared it to professionals
In relation to DSaF 4 (my own sort of sequel --- I didn't make DSaF, this is just a fan project), this guy is the one who brought Dave, Jack, and Henry back to life. How or why he did it is kind of the center of DSaF 4. Uhm, anyways... his name is Peter Miller. Drawn with FireAlpaca.
have you ever seen the part in a bug's life where he flies into the wall, shows a thumbs up and says "I'm okaaay". that's how I imagine saying the title of this image. I added some bruises and stuff so I didn't have to explain to my younger sisters that I was referring to an emotional state of mind
Being brave and having fun with colour; admittedly this took me quite some time. I'm a huge fan of the film District 9 and needed to pay tribute somehow, so here it is.
This is a rendition of a drawing that I did for my mother when I was young. I wanted to redo it to see how it would turn out. I also decided to do it in water color since I have recently been getting very interested in watercolor.
My first post for doodle addicts! a evil alien looking jellyfish lol. Originally I wanted it as my member picture but I haven't figured out how to update that part of my profile.
This artwork was inspired by another one I saw and I wanted to try the style out. I love how it turned out!! Although I think the hair and glasses need a bit of work.
A far cry from how I usually draw. The lineart is messy and I colored sloppily, with the watercolor brush. This guy is the first out of three paint moster generations --- yes, this guy is made of white paint. The mahogany lines aren't blood, but rather mahogany paint. I may or may not post the later generations of Geoff (the name of three paint mosters, all related, all from different generations). Drawn with FIreAlpaca.
