The things pulling me down seem so huge - cancer treatments, empty nest, COVID, depression, and big world problems. It's amazing how small things, a wren, a breeze, a smile, a bud, a furry friend, can lighten the load.
Digital illustration that took 14 hours to complete. I wanted to create almost an illusion type piece. I like showing diversity in my art so more to come!!!
This art work of mine really shows the beauty of nature, n' whenever I take a glance at it, it makes me imagine the place I've always wondered of...I really feel as if it has taken me to my imaginary world & gives me pleasure...
Public art show "Cruisin the Square" for our town, Pontiac, IL. Local artists were given a fiberglass car or truck to alter as they wished. I turned mine into what might happen if I journaled on my car as I traveled Route 66.
This was an illustration I did for "Made For TV" artshow here in Dallas. Inspire by Vietnam movie and era-appropriate music, I had seen and listened over the years.
P. G. Wodehouse (1881–1975)
Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil.
After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden.
- From Daily Rituals: How Artists Work by Mason Currey
“He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.”
― P.G. Wodehouse
#dailyrituals #inktober #PGWodehouse @masoncurrey
George Balanchine (1904–1983)
Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule.
- From Daily Rituals: How Artists Work by Mason Currey
“I like to do things certain ways and I disagree with everybody but I don't even want to argue.”
― George Balanchine
#dailyrituals #inktober #balanchine @masoncurrey
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
This one take some time, I am still trying to figure out how to not make the art "messy" but adding some thicker line did help with it! Thanks for reading this :D
Having younger siblings is 50% about having spoiled rotten playmates and 50% about making sure those little morons dont accidentaly kill themselves. Border collies are so hard to draw antropomorph! Ever noticed how they most of the time keep their head lover than the bum?
This was inspired by my passion for art. Art is truly my favorite thing to do in my free time. I love how creative you can be with it and you can create anything with art.
The "Scenic Views" painting shows the autumn season with yellow and orange leaves with a narrow river in the center of multiple oak trees. This painting is made using acrylic paints with a mix of knife and brush for trees and leaves. This wall art is modern and ideal for the living room or bedroom. It will also do well in a lounge, office, hotel, etc. On a quality canvas base, this wall art is durable and eco-friendly. It comes in three different sizes.
From the cycle: How Painting Is Made :).
The concept changes over time. I "dress up" my Cuban girl sleeveless shirt several times. if you need a logo designer. tell me in a comment
The Woman Puppet from Rome. A clay or plaster of paris puppet head that was glossy and smooth. This painting of the woman pupped is regal and dignified. It shows little animation or dramatic expression. It is unlike most of the others, say for its counterpart
showing someone a new song that you wrote or any artwork that you created needs courage.
so this lovely frog, i call him tommy, wrote a song and plays it for his friends.
he was worried about what they will think. of course his friends love the new song and he feels so supported.
wish you a wonderful day!
Some more practice with crosshatch shading and the proportions are a bit off. I also somehow made the left side of the bottle fat and it drives me nuts. ヘ（。□°）ヘ Other than that I think it came out ok.
(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.
I wanted to draw a crowned animal with a crest on top of its head. Originally , this was colored with colored pencils but I didn't like how it looked so I tried to save it by painting over it with acrylic paint.
