Portrait practice. Used reference photo of Sakaguchi Kentaro https://sparklesby-me.tumblr.com/post/180692882506/sakaguchi-kentaro-for-elle-japan-jan2019
I’m finally done! ‘Veronique‘ is done in pencil, on Medium 80 lb drawing paper. She took me about 8 hours to complete. If you are interested in purchasing prints, please visit my website at this link:
https://imagineitvirtual.wixsite.com/sedonaequineart and contact me. Any opinions or advice would be greatly appreciated!
I recently converted our garage into a studio space. The biggest construction project I've ever undertaken but I'm very happy with the end result. It's so nice to have a space made specifically for my creative process.
When I am angry and frustrated with the world (politics, wild fires, injustice, etc.) I seem to be drawn to drawing raptors. The first one is today's sketch, the other two are from former days.
Blackwing pencil and woodless B4 pencil on Canson sketch paper.
Cute peaceful fox drinking coffee, wearing a scarf. Trying gouache for the first time. It's a really nice medium. I am definitely going to keep at it and make some more gouache paintings.
A few days ago, I started a Pigma Micron pen 005 drawing of a tiger. Yesterday, I decided that it would be nice with colored pencil. I used Berol (1990's) Prismacolor, Koh-I-Noor Polycolor, Faber-Castell Polychromes colored pencils.
While Venice has surrendered itself to unadulterated tourism, Lido remains a tiny bastion of slow life. Lounging on the piers, biking on empty roads, sitting for hours in cafes...
I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
Wanted to practice with some charcoal but couldn't resist collaging it up a bit! A great way to hide mistakes (or laziness!) Tui's are NZ's most successful native bird.
