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ice

Hermit Hermit
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AND THEN THE LITTLE BOY SAID...

(fineliner pen on the back of a 55mm x 85mm business card) I accidently shredded this piece. It was a nice little drawing on the back of a business card, so it was annoying to lose it.

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Bleu Hope Bleu Hope Plus Member
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“Unicorn’s Breakfast”, July 2026.

“ Art is very good for you, it really gets to the emotional truth of things, even if the emotional truth of things is a big extra slice of the weirdness cake.” Very wise words from Burnt Paw I had to include here!

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Bleu Hope Bleu Hope Plus Member
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“Target Practiced”, November 2025.

New art supplies test time…

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Dean C. Graf Dean C. Graf Plus Member
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Wise and Funny

Sometimes wisdom comes in a joke, and sometimes laughter carries truth. Brian spoke like a sage, Mike answered like a friend, and together they held the room. We draw to remember. Not only the lines of faces, but the presence of goodness, the gift of voices that echo long after the chairs are empty.

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Dean C. Graf Dean C. Graf Plus Member
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Whispers Across the Horizon

This is no landscape you could ever stand in. No observational drawing, no safe horizon line. This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight. It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see. Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red? Perhaps that is not about the drawing at all, but about you.

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Bleu Hope Bleu Hope Plus Member
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“Animal Practice”, August 2025.

Must be that time again…

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Dane Mullen Dane Mullen Plus Member
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Room Service

This happened to me last year...

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Dane Mullen Dane Mullen Plus Member
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Why Cant Things Just Be Nice?

Introducing my anxiety, depression, and very close friend. Wrecks.

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Bleu Hope Bleu Hope Plus Member
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“Driver Training”, February 2024.

Normal service resumes! Not to worry, I’ll be back at it with the Pokemon again soon…

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mhmakesthings mhmakesthings Plus Member
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A is for Axolotl

Part of a personal project I'm working on right now, to experiment with new art styles and practice lettering skills by drawing animals. The color palette and symmetrical motifs in this one were inspired by the boats on Lake Xochimilco in Mexico, which is the last remaining place wild axolotls live.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Arctic Landscape

I felt inspired to paint a landscape with a lot of ice across calm water and came up with an arctic landscape.

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Dean C. Graf Dean C. Graf Plus Member
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Thinking incomplete

Quick sketches for the processing of incomplete thoughts. Everything is created twice, first in thought, second in form. I am still thinking and still forming and still being formed.

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Dean C. Graf Dean C. Graf Plus Member
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3 views of a lightbulb

An exercise in observation - quick sketch. I was told that if I made a drawing a day for 365 days, that in a year, I might have a couple nice drawings.

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Bleu Hope Bleu Hope Plus Member
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Pepperoni Warrior Song, February 2022.

I’m no stranger to weird dreams, and last night’s one was no exception to the rule. The doodle alone may do things *some* form of justice...

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Christy Van Orden Christy Van Orden Plus Member
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Beetlejuice doll

BeetleJuice voodoo doll

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Bleu Hope Bleu Hope Plus Member
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As Valid As Dante Writing About His Inferno, April 2020.

A line in 'Renegade: The Lives And Tales Of Mark E. Smith', which I'm currently reading, got my creative juices flowing this time around!

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Kevin VanEmburgh Kevin VanEmburgh Plus Member
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Portrait Practice

Portrait practice last night as I was sitting on the porch.

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Juice_Lime Juice_Lime
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Scribbles: Masked Shapeshifter

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

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Shin Shin
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Perspective

Practice for perspective :)

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V E R S Ā T I L V E R S Ā T I L
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ROMUALDITO

Aquella noche, al sentarse a la mesa ante la mirada de sus padres, Romualdito se sentía anonadado. Su padre le había dicho muchas veces que un pajarito verde le contaba al oído todo lo que él hacía. Era, pues, indudable que el pajarito verde le había contado su delito. Sin embargo Romualdito tomó su sopa, con las narices metidas en el plato, sin que ocurriera novedad alguna. Sus padres, como siempre, hablaban de cosas incomprensibles… Llegó el segundo plato, y lo mismo. Su madre le preguntó con indiferencia: -¿Te pasa algo Romualdito? Romualdito levantó los ojos y dijo con aplomo -No me pasa nada, mamá. No bien dijo esto tembló pensando lo que iba a ocurrir. ¡Había dicho que no pasaba nada, y había fumado! La mirada de su padre, que según este afirmaba, leía en el interior de su hijo, iba a descubrir su mentira. El fraile que se lleva a los niños iba a aparecer y lo iban a encerrar en el cuarto de las ratas. Aguardó un instante angustioso. Nada. El silencio, turbado por el chocar de los platos y los tenedores… Al llegar el tercer plato, don Rotulado dio un golpe en la mesa. Romualdito se estremeció. Pero era que don Romualdo opinaba que la salsa del pescado tenía poco perejil… Así, poco a poco, Romualdito fue serenándose y adquiriendo confianza sí mismo. Al llegar a los postres, miraba ya a sus padres frente a frente y sonreía. La comida había transcurrido con la cotidiana vulgaridad. No cabía duda: El mozo de cuadra tenía razón. Aquella distinción de “detrás” y de “delante” era toda una ciencia maravillosa, quizá toda la ciencita de la vida, y Romualdito, con la mirada lejana y sonriente, descubría horizontes nuevos e insospechados. Cuando terminó según el precepto de su buena educación, Romualdito se levantó, dio un beso a su padre y a su madre. Dijo ”Buenas noches”, en inglés, y se marchó. Don Romualdo exclamó con ternura viéndole irse: -¡Es un ángel! Y apuró con satisfacción su taza de café… _ La severa educación de Romualdito - Jose María Peman

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BeastGurl1989 BeastGurl1989
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Monster Concepts

Demons aren't always supernatural, they might just be the ones in your head. The same voice as you.

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Ty patmore Ty patmore
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Westbound ‘49

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

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Spearmint Chalk Spearmint Chalk
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Character Study - Abbadon

Abbadon reminds me of someone. Hmmmm. . Abbadon ©️ (Haunted Hotel) Matt Roller : voiced by Jimmi Simpson King (of demons) Clawthorne ©️ (The Owl House) Dana Terrace : voiced by Alex Hirsch The Collector ©️ (The Owl House) Dana Terrace : voiced by Fryda Wolff handmade art. colored pencils. no tracing. no ai.

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Juice_Lime Juice_Lime
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Colour Practice

This coloured drawing I was working on for the past few days, wasn't very successful as I failed to properly bring the elements together. A few mistakes were made along the way, even if I managed to compensate for them quite a bit. But yea... There were a couple day's worth of journaling done on this one as I tried to make it a learning lesson.

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Peekaboo Peekaboo
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Mr. Friend

Hey boos! This is just a little drawing of me at like, 7 maybe, and my old imaginary friend I named Mr. Friend. He was a very nice imaginary friend. :DDDD

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Ty patmore Ty patmore
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See No Evil (The Consumer)

This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

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Ty patmore Ty patmore
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Speak No Evil (The Slanderer)

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

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Ty patmore Ty patmore
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Nowhere Fast.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

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Gerald Boone Gerald Boone
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Prayer for Peace

I left this drawing behind when I moved but noticed it on a philosophy site; glad it was there.

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shaun marmion shaun marmion
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franks getting a half  n half in Laus

(half rice half chips)

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