It was a great collaboration with an amazing artist Stumpyfongo back when we were in the Deviantart Collective. The character is Fella, a mascot.
Check out Stumpyfongo's art!!! https://www.artstation.com/stumpyfongo
I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
First post on here and I didn't mean for it to be political! But this is probably one of the pieces that I'm most proud of in their use of bold colours. And I've not really been able to recreate it since.
My Tuesdays got so much better ever since I learned of #longhairedgiantreppingyourtown
#transmundanetuesdays. Thanks, @carsonellis.
1. Is a giant
2. Has very long hair
3. Wearing a shirt with your town’s name on it.
#whydpisoundlikepropagandaradio
#sketchbook #giant #ink #mountain #hairriver #daulydraeung #womenwhodraw
My latest illustration created for an illustration technique demo video. Oil drawing transfer technique. Watercolor resists the oil drawing on the paper. Sometimes oil and water do mix.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
Running Late. The personification of the reaper running late for his next appointment.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
