If I got a penny for every time I drew vent art and it ended up being a hecking masterpiece, I'd have enough money to pay someone to draw vent art FOR me. Drawn with FireAlpaca.
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
Watercolour on A4 watercolour paper. This was so much fun to paint, and it reminds me of holidays at my grandparents' house in Greece when I was a teenager.
Trying to meld the moody tones of pulp noir with the playful romanticism of 1950s lifestyle illustration. Inspired by the fairground scene from the 1942 Veronica Lake classic, This Gun for Hire.
I really like this piece. I dunno why. His eyes are a litte bigger than I usually draw, but aside from that, it's perfect. I think the cherries are a really good background, due to the backstory of this character. Drawn with FireAlpaca.
