Fineliner scribblings on a back ground of paper... . . . ... . . . . . . ..... . ... . . . . . ...... ... . . A rabble of sozzled birds on a tightrope of joy heading towards the puppet master up above. . . .... . . ... . .... .. .... .. ... . . . . Prints are available (16 out of 20 at the time of going to press) . ..............................
This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
deep in thought and under attack from extra terrestrial beings that are harvesting his mind. with added tape on nipple to protect his dignity and censorship. ( although its a man nipple so it should be ok )
Recently, I was asked to illustrate the Discworld as imagined in Terry Prachett's work. The illustration (24 "X 24") was printed on a self-adhesive vinyl and applied to the mandator's car.
These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
This is one of my daily contributes to the 100 days project. I am doodling over a fashion magazine and documenting my journey on Instagram. Anyone of you are participating to this challenge?
