image

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

Costume design for a Beauty & The Beast painting project. The mask is inspired by Baroqu-era gargoyles and grotesques. Had the pleasure of this image on my phone scaring the hell out of my favorite bartender, whose voice is usually low enough to be the voice of God...usually. XD

Drawing sketch of a character im working on, it is an image monster that can manipulate reality

(HB pencil on 63mm x 35mm card) An image taken from a recent video tutorial I did showing how to create Dreamscape artworks. The video can be viewed here: https://www.youtube.com/watch?v=xW-PDd7Co44

only image to visit this past week

An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.

And we're back to class. It's amazing how a couple of weeks can get you out of shape for gestures. Medium: Vine charcoal on newsprint. Time: 7 x 2 minutes.

An image depicting the taking of a mother fighting for her life as she holds her child. In tears while Reaper smiles heavily. Emotional valley weep thorns in their struggle to be together one last time.

I have a passion for cats..im featuring this image colored using color pencils and markers.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

Progression image 5 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). Here the drawing started to come together. I used a metal tip to a mechanical pencil and dragged it along the paper to create the highlight effects in her hair. It is effective but irreversible, so I don't do it very often.

Progression image 3 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). Added some shading and fleshed out her lips some.

Iconic imagery from Kansas City togs at emotions and fills the soul!

Zion service Road, TIME: 4 hours. This drawing is based off an image I shot while in Zion.

Like a moldy bridge, the Internet has trolls lurking underneath. Reddit: Unpopular Opinions is a particularly fetid spot for these mouth-breathers. It’s simmering with people ready to spew their most bigoted thoughts in the name of edginess/independence from the norm. ((follow-up note: for some reason, one of the images doubled. for all 5, visit: http://leahlucci.com/starling/2018/06/14/5-unpopular-opinions-illustrated/ ))

Inadvertently posted incorrect image for this title.

Street Style Helsinki. When I went to the city by bus 65, this lovely redhead sat opposite to me. Divine red hair flows under the good mood hat with small cute ears. What more? You can image the rest in your mind.

(2B pencil on a 87mm x 139mm postcard) X-ray specs were an iconic mail order item in comics. It was one of the first things that kids bought that introduced them to the world of dubious adverts. I kept the image here simple, like the original advert.

AI-altered image of a tree.

Various collage images in the style of Basquiat.

AI-edited image of a Flushing street.

Street Photography picture channeling the art and the image of Basquiat.

Macro image meant to delight.

No idea what squid radio images look like, but here's something close.

These panels/images are just concept for Monster.

This is the cover photo I posted to my Facebook page on December 25, 2024 Author: Khari Turner Contact email: khariturner.ip@gmail.com Image copyright belongs to Khari Turner