#25 Christmas Art Contest - I'm pretty sure I drew this in 2023 if I'm not mistaken. It was for a Christmas art contest at magma.com and drawn directly on their website using an iPad pro. And well, although I met all the requirements I didn't place in the top four. The rules stated that we had to pair up with another member from the website art community to draw a Christmas themed picture relating to anything from our childhood. What you see is only half the picture. My project-partner Andy added his portion to the collaboration, but I removed his pen strokes just for my website. That's why on the right side of the picture the Christmas tree and edge appear unfinished.
This image is huge, like 5000 pixels. This website will resize the image losing details, but if you would like to zoom-in to a higher resolution, try this link to get a closer look. Safe link to mega-upload file storage:
https://mega.nz/file/vqoXGIgD#bx6hdvKVKX8__hfBAYEVtp49NESS26w4iudrlM-oI_4
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
So some of these images are concepts covers for Monster. I'm done setting dates. When I finish it, I finish it. But until then, concepts.
Monster is going to be story based on mental health with a mix of religion. I have stories inside and they are scratching to get out. But the struggles are real and I'm trying to get the images out and onto the screen, paper, and ink.
This is the cover photo I posted to my Facebook page on December 25, 2024
Author: Khari Turner
Contact email: khariturner.ip@gmail.com
Image copyright belongs to Khari Turner
So yeah, I will color this image and add a word bubble. But um, this was my honest reaction to season two of Hazbin. Soooo, I will continue the roller coaster ride, but my ears will burn from the singing and my eyes will be scratched out due to the content in which I am forcing them to focus on. I might even go see a therapist and question all my life choices.
I honestly don't like using color tones like this. I actually really enjoy the black and white contrast. I have always loved black and white images, cartoons and movies. But I try.
The image features colorful, hand-drawn text with arrows labeled 'Arigato In' and 'Arigato Out'. Inspired by Ken Honda and the philosophy of Happy Money.
"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
Pika pika⚡Why? Because I love Pokemon. I had to enlarge the image because the drawing was too small. If you want to see the image non stretching, you can view it on my Instagram and DeviantArt.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
A striking jellyfish is depicted with flowing, colorful tendrils. The intricate lines in vibrant blues and oranges give a sense of movement and grace. This image captures the delicate beauty of marine life with an artistic flair.
Depicting a serene landscape, the mountain rises majestically with its reflection mirrored in the tranquil lake beneath. Surrounded by lush green trees and a pale sky with a passing cloud, the scene evokes a sense of peace and natural beauty. The use of bold outlines gives the image a whimsical, almost cartoonish feel.
Following a natural disaster overseas I came across a Facebook fundraiser claiming to send aid directly to families affected by the crisis. The images were heartbreaking: children huddled in temporary shelters, families sifting through rubble and the organizer posted daily updates about their so-called relief work. Feeling a strong urge to help I decided to donate $18,000 in cryptocurrency confident that it would make a real difference for those suffering. The updates initially seemed genuine with detailed descriptions of supplies being purchased and distributed. For a time I felt reassured that my contribution was actually reaching those in need and I thanked myself for trusting a platform where people could supposedly make a difference.However after a few weeks the page suddenly disappeared. Confused and alarmed I tried to track down the organizer but all contact information had vanished. It was then that I discovered the horrifying truth. The photos used in the fundraiser had been stolen from news sites and there had never been any relief operation. I felt an overwhelming sense of betrayal, anger and disbelief. Not only had I been scammed but my trust in online giving something I had always valued was deeply shaken. I began wondering if I would ever see the $18,000 again.Determined to recover the funds I reached out to Salvage Asset Recovery. From the moment I contacted them the team at Salvage Asset Recovery sprang into action conducting a meticulous investigation. Salvage Asset Recovery traced the cryptocurrency wallet I had sent my donation to and discovered that it had received hundreds of similar payments from other unsuspecting donors. Using advanced blockchain analysis tools Salvage Asset Recovery followed the trail as the funds moved through several smaller wallets each designed to obscure the trail. Finally Salvage Asset Recovery located the money on a major exchange confirming that it was still recoverable.Three weeks later to my immense relief Salvage Asset Recovery returned the full $18,000 to me. This was eye-opening on many levels. While it exposed me to the risks of online fundraising scams it also restored my faith in the possibility of justice and recovery when the right expertise is applied. Without Salvage Asset Recovery I would have likely lost faith in online giving entirely forever doubting the legitimacy of charitable campaigns I encountered. Instead I now feel more empowered and cautious knowing that while scams exist Salvage Asset Recovery is capable of untangling even the most sophisticated cryptocurrency fraud and helping victims reclaim what they lost.
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A boat floats at the center of swirling, vibrant blue waves, creating a sense of motion and energy. The contrast between the warm tones of the boat and the cool hues of the water highlights the image's dynamic composition.
Band logo and linocut artwork for a band. The image was actually cut from Lino and printed from which a digital scan was taken to make a silkscreen for printing.
Cyberpunk Character.
Drawing of a woman sat on the ground in a cyberpunk setting. Reference image: https://www.pexels.com/collections/cyberpunk-f5179o1/
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.