A page of comic for a conquest
The story
End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away.
At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't.
You can't run away from you. Dreams were unexisted memories.
The likehood was that we're living an illusion. But, we change our view.
I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?
A sideways version of my watercolor painting titled "Neutral Rose." If anyone knows how I can get these properly reoriented, please help. If you can image this one quarter turn to the left and on things like shirts, hats, and posters, try checking out this link to see all those things for real: https://linktr.ee/okhismakingart
A preview of my #WIP of Cece from FOX's New Girl. This was from my digital illustration of the New Girl cast from Season One, Episode One. I love watching process videos and images.
An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.
A dark image that reflects in witness that does not need to be said, understood beneath the horrid reflections for which various creatures through time, present, in future sorrows, harmed to nightmares or death, fractured eyes that seep lands familiar, but rarely be spoken. An image of harsh reality.
And we're back to class. It's amazing how a couple of weeks can get you out of shape for gestures. Medium: Vine charcoal on newsprint. Time: 7 x 2 minutes.
Twisted mentions of the horrid fever that be separated in these realms of bleakness, a tense reality prevail. Images further, but repetitive sorrow consume him.
An image depicting the taking of a mother fighting for her life as she holds her child. In tears while Reaper smiles heavily. Emotional valley weep thorns in their struggle to be together one last time.
(B grade pencil on 125mm x 75mm notecard) Another dreamscape image. With this one, I decided to pick out points of detail whilst having the rest shaded in the background. It works well, even with minimum elements highlighted.
Progression 1 of 5. Found this image and felt it captured the power a beauty of the sport. Also, this piece I did with out any blending or smudging, which is my usual go-to technique.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
